Shadow Country Read Free Page A

men and positions himself off the right hand of Bill House, who waves him farther forward, into knee-deep shallows.
    Smallwood’s heart kicks as the bow wave slaps ashore: a wash and suck as the wood stem strikes with a violent
crunch!
of dead shell bottom. Bearing his shotgun, the boatman runs forward and leaps. A moan rises with the rising guns.
    The earth turns. Time resumes. The reckoning has been deferred but the postmaster’s relief is without elation. An exchange of voices as a few men drift forward. Starting down the slope toward the water, Mamie Smallwood and her friend are overtaken by the little boy, who runs to meet his father.
    The shift toward death is hard and sudden. Rising voices are scattered by the whip crack of a shot, two shots together. There is time for an echo, time for a shriek, before the last evening of the old days in the Islands flies apart in a volley of staccato fire and dogs barking.
    The young woman stands formally as for a picture, brown dress darkened by the dusk, face pale as salt. Though Mamie Smallwood drags her back, it was Mamie who shrieked and the young woman who takes the sobbing Mamie to her bosom; she regards the postmaster over his wife’s shoulder without the mercy of a single blink. He stumbles toward them, stunned and weak, but his wife twists away from him, mouth ugly. In a low, shuddering voice she says, “I am going, Mr. Smallwood. I am leaving this godforsaken place.”
    The young woman goes to her little boy, who has tripped and fallen in his wailing flight. Patches of hurricane mud daub his small knees. She pulls the child away from the churning men, who in the dusk are milling on the shore like one great shapeless animal. In a moment, she will crawl under the house, dragging her brood into the chicken slime and darkness.
    â€œNo, Lord,” she whispers as the terror overtakes her.
    â€œNo, please, no,” she moans.
    â€œOh Lord God,” she cries. “They are killing Mister Watson!”

ERSKINE THOMPSON

    We never had no trouble from Mister Watson, and from what we seen, he never caused none, not amongst his neighbors. All his trouble come to him from the outside.
    E. J. Watson turned up at Half Way Creek back in 1892, worked on the produce farms awhile, worked in the cane. Hard worker, too, but it don’t seem like he hoed cane for the money, it was more like he wanted a feel for our community. Strong, good-looking feller in his thirties, dark red hair, well made, thick through the shoulders but no fat on him, not in them days. Close to six foot and carried himself well, folks noticed him straight off and no one fooled with him. First time you seen the man you wanted him to like you—he was that kind. Wore a broad black hat and a black frock coat with big pockets, made him look bulky. Times we was cutting buttonwood with ax and hand saw, two-three cords a day—that’s hot, hard, humid work, case you ain’t done it—Ed Watson never changed that outfit. Kept that coat on over his denim coveralls, he said, cause he never knew when he might expect some company from up north. Might smile a little when he said that but never give no explanation.
    Folks didn’t know where this stranger come from and nobody asked. You didn’t ask a man hard questions, not in the Ten Thousand Islands, not in them days. Folks will tell you different today, but back then there weren’t too many in our section that wasn’t on the run from someplace else. Who would come to these rain-rotted islands with not hardly enough high ground to build a outhouse, and so many miskeeters plaguing you in the bad summers you thought you’d took the wrong turn straight to Hell?
    Old Man William Brown was cutting cane, and he listened to them men opining how this Watson feller was so able and so friendly. Old Man William took him a slow drink of water, give a sigh. Willie Brown said, “Well, now, Papa, is that sigh a warnin?”