for cocaine, has been arrested twice for possession of small amounts, did no time. Also arrested years ago for possession of LSD, did two months. Four years ago, he was charged with possession of thirty hits of ecstasy, but heâd wiped the Ziploc bag they were in and heâd thrown it into the next toilet stall, whereit landed in the toilet and wasnât fished out for a while. Quite a whileâsomebody hadnât flushed. The prosecutor dumped it for faulty chain of evidence. Last year he was arrested in an apartment over on skid row in a raid on a meth cooker, but he was released when it turned out the actual cooker was the woman who was renting the apartment. Verlaine said he was just an innocent visitor. The prosecutor dumped it again, insufficient evidence.â
âGet to the sex,â Lucas said.
âHeâs never been arrested for a sex crime, but heâs been investigated,â Lily said, reading from the FBI report. âHeâs known for sculptures with slave themes involving bondage, whipping, various kinds of subjugation of women. A woman named Tina Martinezânote the last names hereâcomplained to police that heâd injured a friend of hers named Maria Corso, who was supposedly modeling for one of these bondage sculptures. Corso refused to prosecute, said thereâd been a misunderstanding with her friend. The investigators say they believe she was paid off.â
âHeâs a bad man,â Amelia said.
âBad,â Lincoln agreed. âWith a substantial interest in drugs.â
âAnd probably with the kind of brain rot you get from meth,â Lucas said.
âDo you have a plan?â Lincoln asked.
âI plan to spend some time with him today. Just watching. Amelia and Lily can help out. See what he does, who he talks to, where he hangs out.â
âDo we know where he lives?â Lincoln asked.
âWe do,â Lily said.
Lincoln said to Lucas, âI wonder if the women could handle the surveillance and keep you informed, of course.â
Lucas said, âNo reason they couldnât, I guess. Easier with three of us. Why?â
âI have an idea, but I want to speak to you privately about it. Just to avoid the inevitable question of conspiracy.â
âOh, shit,â Lily said.
WELL, NOW, HEREâS A PRETTY.
Tasty, this one.
Oh, he could picture her on her back, arms outstretched, yeah, yeah, lying on something roughâconcrete or wood. Or metal.
Metalâs always good.
Sweat on her forehead, sweat on her tits, sweat everywhere. Mewing, gasping, pleading.
For a luscious moment, every other person in the club vanished from James Robert Verlaineâs consciousness as his eyes, his artistâs eyes, lapped up the brunette in black at the end of the bar.
Tasty . . .
Raven hair, tinting from red to blue to green to violet in the spotlights. Disco décor, punk music. Rastaâs could never make up its mind.
Hair. That aspect of the human form fascinated him. A sculptor of hard materials, he could reproduce flesh and organ, but hair remained ever elusive.
She glanced toward him once, no message in the gaze, but then a second time, which was, possibly, a message in itself.
Studying her more closely now, the oval face, the sensuous figure, the provocative way she leaned against the bar as she carried on a conversation on her cell phone.
It irritated him that her attention was now on some asshole a mile or ten miles or a hundred miles away. A smile. But not at Verlaine.
Mona Lisa, he reflected. Thatâs who she reminded him of. Nota compliment, of course. Da Vinciâs babe was a smirky bitch. And, Lord knew, the painting was way overrated.
Hey, look over here, Mona.
But she didnât.
Verlaine flagged down the bartender and ordered. Like always, here or at one of the other clubs where he hung out, Verlaine drank bourbon, straight, because girls liked it when men drank liquor that