Requiem for a Wren Read Free Page A

and look all round the horizon and see nothing but the pastures and the sheep, with no sign of man except perhaps one fence in the far distance. There are shallow lakes and trout streams, seldom fished because they are too distant from the city, and most of the homesteads are located beside permanent water anyway so that anyone who cares for fishing can catch a trout with fly or worm within a few hundred yards of his own home. A lonely country for those who are not interested in the land, and bleak in winter when we usually get quite a lot of snow. In summer, a country in continual danger from grass fires, so that we spend much time and energy in planting wide strips of green crops such as rape for firebreaks. A summer fire that gets out of control in my country can wipe out all the pasture feed and fifty thousand pounds' worth of sheep in a couple of days. A country with not much mental stimulus outside the land, so that those who dislike us and call us the wool barons say that we all sink to the mental level of the sheep, and get to look like them too.
    We came to Forfar, which is our village and about six miles from Coombargana, a little place of one long street straggling on the highway. Not much seemed to have changed there; there were a couple of new stores and electricity had reached the place while I had been away. For the
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    rest it was unaltered; I saw Tom Hicks the garage owner at his pumps and waved my hand to him, and then we turned off on the gravel road to my home.
    Presently we came in sight of the house, backed by tall pine trees that shelter it from the west, with the river curling round before it. Coombargana is my home and I would not willingly live anywhere else, but architecturally I will admit that the house isn't everybody's cup of tea. My grandfather, Alan Duncan, built it about 1897. He was born at Ellon between Peterhead and Aberdeen in 1845, the son of a small farmer. He came out to Australia when he was twenty years old to make his fortune in the goldfields of Ballarat, but gold was already big business by the time he got there, and he soon tired of working for a wage in a mine. Within a year he had moved farther out to farm, and took up land at Coombargana with the first settlers. By the time he was fifty he was running sheep on thirty thousand acres, and able to afford what he called a gentleman's house.
    He made a trip home in 1895 to see his relations, and while in Ellon he went to see the Queen's house at Balmoral; I doubt if he saw the Queen. He returned to Coombargana with a picture postcard of Balmoral Castle and set himself to build a house like that, but on a smaller scale. There was no architect in the countryside to help him and the only materials that the builder could produce were a peculiarly ugly red brick, and concrete. The house that evolved was a castle that looked like no castle has ever looked before, yet inside it was comfortable and well designed; a good house to live in. It was-like that till his death in 1922; I remember it well as a child. When my father inherited he took down eleven little spires that ornamented the battlements and started to grow creepers over it to tone it down a bit, but the possums used the creepers as a ladder to get into the roof. My father had the creepers removed and painted the whole thing cream in colour, which did away with the hot look in summer anyway. In 1938 my parents spent some months in England and my mother came back all steamed up about the modern decor, and painted all the outside doors and window frames crimson.
    Well, that's Coombargana. It's my home, and I like it.
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    We crossed the river by the wooden bridge and swung round towards the house, and passed in to the drive between the great mossy concrete gate pillars. The place was well cared for, because my parents keep two gardeners going all the time, the enormous macrocarpa hedges neatly clipped in rectangular forms, the drive and the gravel sweep up to the house freshly