reproduction was mounted and framed in a frame of varnished wood. The subject of the picture was a rural scene. Sheep grazed, hay stood in stooks, wheat ripened. In the foreground, a country lad, possibly a shepherd, wooed a girl. The girl looked at the country lad doubtfully. Flowers grew, apples lay by the girlâs skirt.
âWell, those were the good old days when.⦠Itâs not the same today when you canât.⦠It strikes me.â¦â
As G sat looking at the picture, his mouth came slowly open. His gaze became unfocused.
Still the rain persisted. It ran slantingly down the panes; when G got up from where he was sitting in his wheelback chair and gazed through the panes, they made a knotted visibility of the corner of the house that was available to his eyes.
He could see only one window on this side of the house. It was a small bow window with yellow or cream curtains, and it constituted the side or lesser window of a room which G knew to be Mr. Maryâs bedroom, although he had never entered it.
Almost directly beneath the window, the corner of the house met the wall in which was set the brown side gate, forming an angle in which lay a dull and damp part of the garden. In the days when he had attempted to make something grow in this portion of the garden, G had been repeatedly unsuccessful. The stretch of lawn enclosed between the triangle composed of wall, house, and path grew less luxuriantly as it got nearer the house, so that it became as worn as a carpet from which all pile had been trodden by constant usage, although in fact nobody ever trod there. Against the wall of the house, the grass faded altogether, and was replaced by ferns. G could see the ferns now as he forced his gaze beyond the streaming windows. He knew they would be getting wet, but so strongly did the rain flow over the window that he could gain no ocular corroboration of this.
With the rain came the darkness. Darkness fell early these January afternoons. Because the panes in the two windows of the wooden bungalow rested insecurely in their sockets, owing to the crumbling of the putty that surrounded them, and also because they had not been cut to make an exact fit to begin with, the rain soon began to trickle inside the sills. With the thickening of the light, it became impossible to see whether the rain came down on one or both sides of the panes.
Other features in the one room of the bungalow were also becoming submerged. On the calendar, the two men in period dress remained visible after the precipice below them had faded. The couch at the far end of the room failed to retain its shape in Gâs sight. The cupboard and the bamboo table merged into one ambiguous object. The paraffin lamp, burning with its transparent door split into four gleaming panels, assumed a new character entirely; the circular holes perforated in two sizes on its top cast a pattern of oval lights on the sloping roof overhead.
For a short while, as the room darkened into obscurity, it seemed by comparison that the two windows grew brighter and glowed with their own light; then they faded to become two patches in the dark, and the man was left to be in his own universe.
G was active; his right hand felt its way down the lapel and edge of his jacket until it reached the top button. The jacket was old. Its edge was ragged. The button too was ragged. It was made of leather. G remembered that it had once been sewn on by an uncle. He pushed it through the equivalent hole in the left side of his jacket. Then he rose from the chair, and felt for a galvanized bucket. Edging it forward, he pushed it into the corner of the room under a stain that looked like a coral. He returned to the wheelback chair.
After only the slightest interval, a clear metal noise sounded in the dark. An identical noise followed almost at once, and another, and another, and another, until a point came in the sequence when Gâs idly attentive ear could detect a change in