Reawakened (The Reawakened Series) Read Free Page A

to make out what else was in the room.
    The polished floor was protected by a heavy drop cloth, which was covered with sawdust, and several boards, cut in various shapes, lay haphazardly on the floor. I used one to prop open the plastic curtain, taking advantage of whatever meager light I could get, and moved deeper into the room.
    Dark shapes and statues filled makeshift shelves, with stacked crates blocking every path. Now that I knew this shipment was so recent, I rationalized that what I’d heard was most likely a rat or a mouse making its home in one of the boxes. That would explain the silence since I’d come in.
    I saw nothing that looked out of place in a museum. A box of tools here, a circular saw there. Opened crates filled with Egyptian treasures resting on the straw. True to my word, I didn’t touch any of the pieces, and moved through the space carefully and quietly until a golden light behind some boxes caught my eye. I let out a small gasp as I came upon an enormous sarcophagus.
    The lid, resting at an angle on the lower half of the coffin, was breathtaking. As I focused on all the little details—the handsome carved face, with polished green stones for eyes, the crook and flail he held crossways on his chest, the precious gold details that meant he was likely someone of importance—my fingers itched for my pencil and notebook.
    Right away I noticed the patterns of three—three birds, three gods, three sets of wings, three bands on the arms. I wondered what they signified and began coming up with possible scenarios as I continued exploring. The packing slip on the coffin-sized crate nearby read:
UNKNOWN MUMMY
    DISCOVERED 1989
    VALLEY OF THE KINGS
    EGYPT
    Despite my fascination with the upcoming exhibit, I didn’t notice anything out of the ordinary. No rat tails or droppings that I could see. No squeaking mouse hiding in a corner. No grave robbers or cursed mummies. Not even any museum employees.
    As I turned to leave, I looked down and suddenly realized two things: first, the straw-filled sarcophagus didn’t contain a mummy, and second, there was a set of footprints other than my own in the sawdust, ones made by two bare feet, and they led
away
from the coffin.
    An intense curiosity took hold of me, and ignoring strong reservations, I followed the footprints. They led me on a path between boxes and crates until I met a dead end. No climactic movie music was triggered. No rancid scents of decay or death assaulted my nose. No creepy monster leered at me from the darkness.
    Recognizing I’d let my imagination get the best of me, I began making my way back toward the plastic curtain. I was passing the copper mirror when a hand shot out of the darkness and locked on my arm. My choked scream echoed, the shriek bouncing off relics. The golden gods and stony statues kept their icy eyes forward, remaining as still and dead as everything around them.

The hand, which was extremely warm and not covered in ancient mummy wrappings, let go the instant I screamed. I dashed through the plastic curtain and around the wall to grab the can of pepper spray I kept in my bag. I stood there, can aimed, finger on the trigger, as the bare feet that were poking out beneath the curtain retreated into the darkness.
    The sound of rummaging soon became obvious as the mysterious person began cracking open boxes. Something, most likely a box, crashed to the floor, and a metallic ringing indicated that a precious object of some kind had also been heedlessly dropped.
    “I’m warning you. I’m armed,” I threatened.
    Whoever was in there paused and said a few words I didn’t understand before they went back to whatever it was they were doing.
    “What was that? What did you say?” I asked. When they didn’t respond, I tried another tack.
“Qui êtes-vous? ¿Quién es usted?”
The only response was a grunt of frustration and the unmistakable sound of a crate being tossed aside.
    “Look, I don’t know who you are or what