that.â
âI donât believe that. And I donât believe you do.â
âIâm afraid I do, though. Six months ago, I came to see you in Washington. People who waited for hours to hear you sing wouldnât cross the street to vote for me or anyone.â
âItâs because they can feel things without being used.â
âStacy, itâs because there are two Americas now, and the one you reach doesnât respond to words or ideas, but to sound and picturesâfilm, TV, video games, music. I donât like this, but Iâm not responsible for themâyou are.â His face was keen with challenge. âI wonder if itâs enough to let them make you famous because youâre a beautiful woman who can sing.â
She tilted her head. âIf youâre trying to make me feel guilty, skip it. Iâve worked too hard.â
âThen youâve achieved something,â he answered crisply, âfor yourself. But if people like you donât ask their fans to commit to the world they live in, weâll end up with a generation so passive and easily manipulated that the next Hitler could stage the Holocaust as a miniseries.â
She gave him a comic look of skepticism. âYouâre running to keep Hitler off of MTV?â
âIâm running for things youâve said you care aboutâlike womenâs rights, for openers.â Shrugging, he finished in a throwaway tone. âAnd because I canât imagine being dead unless Iâm president first.â
Suddenly, she wanted to communicate with him, not just fence. âDoes needing it that much ever scare you?â
For an instant he looked so vulnerable that Stacy knew sheâd caught him by surprise. âDoes it you?â he asked.
âIt sets you apart,â she answered softly, âto try and do what other people canât. It doesnât help that you never quite know why they want to be with you.â
As Kilcannon glanced down, she noticed his lashes were unusually long. âStacy, Iâm not asking you to sing, all right?â
âThen what do you want?â
âSomething more, I think.â Looking up again, he asked quietly, âAre you free?â
There was no missing it. After a time, she said, âI can be.â
As they left, Stacy realized they made a striking couple.
Later, as he held her in the dark, she wondered why it had happened. âStacy?â he murmured.
âYes?â
âI really did like your concert.â
Stacy laughed aloud. âSo you are going to ask me to sing.â
âNot after this.â His voice softened. âWhat I want now, is to see you.â
For two years he had done that, in fragments stolen from his race for president or jammed between her tours. For weeks heâd be a face on her television; then they would be lovers on the Baja. Theyâd rented a house there. Mornings they would swim, or run the beach. In the afternoon, hiding from the savage brightness, they would make love. He read poetry to her, Yeats and Dylan Thomas. Sometimes Stacy sang new songs sheâd written as he listened, thoughtful. Her reasons for performing seemed to fascinate himâas if, perhaps, he saw himself reflected. Besides Damone, he was the man with whom she talked most easily.
âHow is it for you?â Jamie asked her. âOnstage.â
They were sitting at a white wooden table overlooking the ocean; their bottle of Chardonnay was half empty.
âItâs getting harder,â she said finally. âThey expect so much now.â
âYou never use drugs?â
âItâs safer to depend on myself.â Stacy shrugged. âSometimes, before a show, I donât feel too great.â
Jamie gazed out at the ocean. âDo you know why you keep doing it?â
Stacy wondered how to explain this. âWhen I write a song,â she said, âitâs still not finished. Itâs