agoâ¦â
âYouâre not telling me that it still exists?â Kyle asked, astounded. Had he neglected his business that badly?
âSee for yourself.â Ryan nodded toward the report.
Kyleâs dark eyes scanned the black print and his frown deepened into a scowl of anger. His gaze was even when it was raised to meet the pale blue eyes of Ryan Woods. âYouâre certain of all this?â Kyle asked, skeptically running his fingers over the pages.
âIâd stake my reputation on it.â
âYou just have.â Kyle rubbed his thumb over the edges of his straight white teeth and his eyes narrowed in thought. âDamn!â he cursed, mainly at himself.
âWhat is it?â Woods inquired. Heâd known Kyle for eight years and had seen the dangerous look of anger in the recording companyâs executive more than once in the past.
âItâs just hard to swallow, thatâs all. Weâve been dealing with Festival Productions for over three years. Everything weâve gotten from them has been the bestâtop quality recordings.â He shook his head as if trying to dislodge a wayward thought. âWhy would Maren McClure try and rob me blind?â
âShe only owns the company. It doesnât necessarily mean that sheâs involved. Anyway, the problem will be solved once you stop dealing with Festival, and as far as I can tell only three of the tapes have been copied and sold on the black market.â
Lydia knocked on the door, refreshed the drinks and provided a tray of sandwiches. Kyle managed a quick smile for her and then turned his attention back to the problem at hand.
âAll right, Ryan, so you think we should just ignore the problem and maybe it will just go away?â
Ryan smiled and set his partially eaten sandwich aside. âUnfortunately, itâs not going to be that simple.â
âThat much I already know.â
âThen you realize that you have some long-term contracts with Festival?â
Kyle tented his fingers under his chin and nodded. Ryan finished his sandwich, withdrew a cigar from his pocket and rolled it between his fingers. Thoughtfully he studied the tip of his cigar before lighting it and puffing a blue cloud of smoke that circled lazily to the raised ceiling. Theatrics were part of the game, the rules of which he had learned while studying law at Yale. âAs I see it, you have several options.â
Kyle raised his eyebrows, encouraging the other man to continue. âYou can buy out the contracts and quit using Festival completely, or you can confront the owner with your suspicions and hope that sheâll back out of the contracts because of fear of bad publicity and a possible lawsuit.â
âToo easy.â
âWhat do you mean?â
âI canât do either one.â
âWhy not?â
âFirst of all, I donât have the time. Iâve just signed several big names to Sterling Records, paid top money for them, and I canât take the chance that the video cuts of their top hits will be stolen or reprinted. Iâd not only lose the artists, theyâd sue me for every cent Iâve got based on any grounds their agents or their lawyers might dream up.â
Ryan puffed on the cigar and shrugged. âSo have the tapes produced by someone else until you get your crew together. There must be a hundred production companies that can make a four or five minute minifilm. Those videos arenât much more than advertisements for a songâ¦easier, really. Thereâs no dialogue involved.â
Kyle downed the rest of his drink and his clear gray eyes looked suddenly stormy. âThatâs where youâre wrong. The videotape of a current song is the single most important piece of artistry put together. In some cases itâs more valuable than the recording. It sells the song. A good video can beef up a mediocre record, and unfortunately, the reverse is
Christine Zolendz, Frankie Sutton, Okaycreations