exaggerate its importanceâit was just that I hadnât seen it for so long.
DOCTOR Â Â Â Please . . . patience . . .
DI NOLLI Â Â Â Well, quiteâitâs been there for about fifteen years.
MATILDA Â Â Â Nearer eighteen.
DOCTOR Â Â Â Please!âyou donât know yet what Iâm asking. In my belief these two portraits may be crucial. They were done, I suppose, before the famousâor should I say infamousâpageant, is that right?
MATILDA Â Â Â Of course.
DOCTOR Â Â Â When he was still in his right mindâthatâs the point I was making. Were they his idea?
MATILDA Â Â Â No, not at all. Lots of us who took part decided to have our portraits done as a souvenir of the pageant.
BELCREDI Â Â Â I had mine doneâCharles of Anjou.
DOCTOR Â Â Â You donât know if it was he who asked for it?
MATILDA Â Â Â Iâve no idea. Itâs possible. Or it might have been Carloâs motherâs idea of humouring him.
DOCTOR Â Â Â Now, another thing. Was this pageant his idea?
BELCREDI Â Â Â No, it was mine.
MATILDA Â Â Â Donât take any notice of him. It was poor Belassiâs idea.
BELCREDI Â Â Â Belassi?
MATILDA Â Â Â (
to the Doctor
) Count Belassi, poor man, who died two or three months later.
BELCREDI Â Â Â But Belassi wasnât even there when I . . .
DI NOLLI Â Â Â Excuse me, Doctor, does it really matter whose idea . . .
DOCTOR Â Â Â It could be important.
BELCREDI Â Â Â It was mine! This is too much! Do you think Iâd brag about it after what happened? You see, at the Club weâd been thinking of putting on a show for the next carnival. So I suggested this historical pageant, I say historical, it was more of a hodgepodge, everyone had to choose a character from this or that century, a king, or emperor, or prince, with his ladyâqueen or empressâbeside him, also on horseback. The horses had all the period trappings, too, of course. That was my suggestion and it was adopted.
MATILDA Â Â Â Well, my invitation came from Belassi.
BELCREDI Â Â Â Theft. Belassi wasnât even in the Club that night. Nor was
he
.
DOCTOR Â Â Â So then he chose Henry?
MATILDA Â Â Â Thatâs because, my name being Matilda, I said off the top of my head that Iâd be Countess Matilda of Tuscany. He said, in that case heâd be Henry IV.
DOCTOR Â Â Â Iâm sorry, I donât see the connection.
MATILDA Â Â Â I didnât either at first. He said heâd be at my feet just like at Canossa. I knew about Canossa but only vaguely, and when I looked it up I found I was the Popeâs most zealous ally against the German King Henry. I blushed from top to toe. I understood why heâd chosen to be Henry IV.
DOCTOR Â Â Â You mean, perhaps, because . . .
BELCREDI Â Â Â Dear God, Doctorâbecause he was mad about her, and she couldnât stand him.
MATILDA Â Â Â Thatâs not true! I didnât dislike him; quite the opposite. But whenever a man gets all serious about a womanâ
BELCREDI Â Â Â He turns into a complete ass . . .
MATILDA Â Â Â No, he wasnât like you, my dear.
BELCREDI Â Â Â But Iâve never asked to be taken seriously.
MATILDA Â Â Â Donât we know it. But with him, you had to take him seriously back. (
to the Doctor
) Among the misfortunes we women have to put up with from time to time is suddenly being confronted by a pair of eyes gazing at us with the solemn promise of lifelong devotion. (
She bursts into laughter
.) Thereâs nothing more ridiculous. If only men could see themselves doing their lifelong devotion look. It always made me laugh. More so in those days. But now, after twenty years, let me confess something. When I laughed at him, it was partly out of fear, because, coming from him, you felt he could mean it. And
Ann Voss Peterson, J.A. Konrath