of.â
âHelen Alderâs son? That the two of you produced after you married in Vietnam?â
âHelen Alder? I never heard of a . . .â His voice trailed away, and then he said with a ferocious urgency that astounded me, âWhere are you really from?â
âCould we go where we can hear each other?â
His mother watched suspiciously when he pushed himself up from his chair, but she stayed behind when he led me to the kitchen. The stuffy air was larded with stale dishwater. The window had a two-by-four nailed across it to keep it from opening. Sweat started to gather at the back of my neck.
âWho sent you to me?â His teeth showed, crooked and tobacco-stained, through the stubble.
âYour son.â
âI donât have any children. I never married. I never was in Africa.â
âWhat about Vietnam?â I asked.
He shot me an angry look. âAnd if I say, âYeah, I was there,â you wonât believe I didnât marry this Helen whosis.â
âTry me.â I wanted to keep my voice affable, but standing in the musty room was hard on my back as well as my manners.
âI was a photographer. For the old Chicago American before it folded. I covered the war for them from sixty-three to sixty-nine. Sur Place bought a lot of my shotsâthe French were more interested in Indochina than we were. After the paper collapsed, I signed on with them as a freelancer.â
âWhere were you in 1986? Here?â
He shook his head. âEurope. England. Sometimes New York.â
I took a notepad from my handbag and started fanning my face with it. âWhen did you come back to Chicago? Do you work for Sur Place out of here?â
His face contorted into a sneer. âI havenât worked for anyone for a long time. My mother doesnât like me sponging off her, but sheâs paranoid about burglary, and she thinks a man around the house, even a washed-up ex-photographer, is better than living alone. Now itâs your turn. And donât give me any crap about being a freelance writer.â
âOkay. Iâm a private investigator. A man claiming to be Hunter Davenport Junior asked me to find you.â I showed him my license.
His face began to look like dull putty. âSomeone was pulling your leg. I donât have a son.â
âFair, very good-looking, most people would be proud to claim him.â
He began to fidget violently with the utensil drawers. âGet the guy to give you a blood sample. Weâll compare DNA. If his matches mine, youâre welcome to my whole portfolio. Howâd you find me?â
I told him: county birth records followed by tracing Wayland Davenport through old phone books. Heâd gone from Cottage Grove Avenue to Loomis, then Montrose, stair-stepping his way up the northwest side until landing at a bungalow in this tiny suburb in 1974. His wife had moved into this little apartment four years ago.
âSo anyone could find me,â he muttered.
âAnd is that a problem?â
He gave an unconvincing laugh. âNo one wants to find me these days, so itâs no problem whatsoever. Now, youâve wasted your time and mine enough. Go hunt up some real mystery. Like who your client is and why heâs stolen my name.â
I stopped in the kitchen doorway and looked back at him. âBy the way, who is Helen Alder?â
He bared his teeth, showing a broken chip on the left incisor. âThe figment of your clientâs imagination.â
I put a business card on the countertop. âGive me a call if you decide to tell me the truth about her.â
As I made my way through the dim passage to the front door, someone on television was extolling a drug whose side effects included nausea, fainting and memory loss. Over the cheerful tout, Mildred Davenportâs voice rose querulously, demanding to know whether I was going to buy any of his pictures. Her son said