questions
and tells me everything I’ve ever done.
For twenty pounds she’ll give me a golden future
for ten pounds she’ll give me a silver future
for a fiver a slam of bronze.
I believe in the glow of the leaves
in the shine of car-wax, in Wal-mart
and in the whiteness of her false teeth.
She would like to lie, but whatever possesses her
won’t let her. Here it comes again
clearing the coffee-smoke, thinning the cargo
of carrier bags pushing past us,
until the Saturday men and women
lose their foothold in time.
Now they are the dead walking
at the pace of long-ago film.
Sleeveless
There he stands, blind on slivovitz,
eyes closed, face beatific,
propped against the side of the coach
while two girls rub him with snow.
He goes sleeveless in the snow
as if he belongs elsewhere
in a land where blood alone
is enough to warm him.
But this isn’t spring. A hyacinth’s
white whip of root in a jar in November
won’t stop winter. The sun will go down,
the wolves will sample the woods
and snuff his footprints. But the engine’s running.
Its vibration scrubs him awake
and those girls are laughing.
In ten long easy minutes
he will have left the summit.
The point of not returning
is to go back, but never quite back.
Through all those trees I am unable
to glimpse the house. Where the new road swings,
the dark lane made for footsteps remains hidden.
Where lilac-striped convolvulus
wound its scent in the dust, new road signs
describe the route in numeral and symbol.
There is the hill, but not the right hill.
There is a blood-red rhododendron
by a breeze-block wall – but not the right wall,
and those children in a sunburned straggle
who face the oncoming traffic (thicker now),
have bought the wrong sweets at the wrong prices.
They have too much cash: they are not the right children.
The form
Clearing the mirror to see your face
I’m sure you are there.
You came into the room behind me
but when I looked you disappeared.
Look. I am breathing out mist
like a horse in winter.
The glass I almost kissed
has gone cold. Now, is it you here
sitting in your usual chair
under the light, with your Guinness poured
and the best bit of the newspaper?
Let’s have a tenner on Papillon, I’m sure
he’ll do it this time . You show me the form.
I put out my hand for the winnings
and take the notes which are warm
from your touch. But the mirror is cold, sparkling.
The sentence
How hushed the sentence is this morning
like snowfall: words change the landscape
by hiding what they touch.
‘How is he –? Has he –?’
Bridget takes off her glasses
and rubs the red pulp of her eyelids.
The world is a treasure-house of frost
and sparkling roof-tops. A few doors down
the sentence works itself out.
A roller-blader slashes the street like an angel
with heaven-red cheeks. A fag-end smokes
in the gutter where a dog noses. Such elation!
The labour of goodbyes
goes on quietly behind windows.
With short, harsh breaths
With short, harsh breaths
and lips hitched to each syllable
you read, but not aloud.
You rise and go to the stairwell
as if to call someone. Look up
at the whitish skylight, the peace
of another rain-pocked eleven o’clock.
You are here and you want her
but she’ll come no more.
You keep her letters in a box
and deal them out like patience
to lie on your breakfast table
stamps obsolete, envelope eagerly torn
by the man who once lived in your skin.
You read the postmark again.
It’s September, four years after the war.
Listen. She’s speaking.
The footfall
It was you I heard, your tiger pad on the stairs,
your animal eyes blazing. Now you have my face
between your paws, tiger. It’s time
for the first breath. Your playful embrace.
Suddenly you take away my texture,
the sheen I’ve had since I was born.
My hair. You comb it out with your claws
until the gloss and colour are gone.
My skin puckers slowly. Your whiskers quiver
as I keep