Orientalism Read Free Page B

mind away from concrete human history and experience and into the realms of ideological fiction, metaphysical confrontation, and collective passion. This is not to say that we cannot speak about issues of injustice and suffering, but that we need to do so always within a context that is amply situated in history, culture, and socioeconomic reality. Our role is to widen the field of discussion, not to set limits in accord with the prevailing authority. I have spent a great deal of my life during the past thirty-five years advocating the rights of the Palestinian people to national self-determination, but I have always tried to do that with full attention paid to the reality of the Jewish people and what they suffered by the way of persecution and genocide. The paramount thing is that the struggle for equality in Palestine/Israel shouldbe directed toward a humane goal, that is, coexistence, and not further suppression and denial. Not accidentally, I indicate that Orientalism and modern anti-Semitism have common roots. Therefore, it would seem to be a vital necessity for independent intellectuals always to provide alternative models to the reductively simplifying and confining ones, based on mutual hostility, that have prevailed in the Middle East and elsewhere for so long.
    Let me now speak about a different alternative model that has been extremely important to me in my work. As a humanist whose field is literature, I am old enough to have been trained forty years ago in the field of comparative literature, whose leading ideas go back to Germany in the late eighteenth and early nineteenth centuries. Before that I must mention the supremely creative contribution of Giambattista Vico, the Neapolitan philosopher and philologist whose ideas anticipate and later infiltrate the line of German thinkers I am about to cite. They belong to the era of Herder and Wolf, later to be followed by Goethe, Humboldt, Dilthey, Nietzsche, Gadamer, and finally the great twentieth-century Romance philologists Erich Auerback, Leo Spitzer, and Ernst Robert Curtius. To young people of the current generation the very idea of philology suggests something impossibly antiquarian and musty, but philology in fact is the most basic and creative of the interpretive arts. It is exemplified for me most admirably in Goethe’s interest in Islam generally, and Hafiz in particular, a consuming passion that led to the composition of the
West-Östlicher Diwan
, and it inflected Goethe’s later ideas about
Weltliteratur
, the study of all the literatures of the world as a symphonic whole that could be apprehended theoretically as having preserved the individuality of each work without losing sight of the whole.
    There is a considerable irony to the realization, then, that as today’s globalized world draws together in some of the lamentable ways I have been talking about here, we may be approaching the kind of standardization and homogeneity that Goethe’s ideas were specifically formulated to prevent. In an essay publishedin 1951 entitled “Philolgie der Weltliteratur,” Erich Auerbach made exactly that point at the outset of the postwar period, which was also the beginning of the Cold War. His great book
Mimesis
, published in Berne in 1946 but written while Auerbach was a wartime exile teaching Romance languages in Istanbul, was meant to be a testament to the diversity and concreteness of the reality represented in Western literature from Homer to Virginia Woolf; but reading the 1951 essay one senses that for Auerbach the great book he wrote was an elegy for a period when people could interpret texts philologically, concretely, sensitively, and intuitively, using erudition and an excellent command of several languages to support the kind of understanding that Goethe advocated for his understanding of Islamic literature.
    Positive knowledge of languages and history was necessary, but it was never enough, any more than the mechanical gathering of facts would