they were only there because anatomy demanded it. She sat down on the bed and started rolling a joint. Get in if you want, she told me, and when I saw her from behind, I found her tiny knickers hilarious.
Then she embraced me and I let myself be embraced. She wanted to kiss me on the mouth. Not today, I stopped her, maybe another day. She didn’t protest. And all that time, as we smoked in silence, until I fell asleep, I couldn’t stop thinking about Aída’s skin, which changed every other minute, which she shed like a serpent.
That same week, without giving it too much thought, I moved into her flat.
THREE
On Sunday we woke up at half two in the afternoon. Why don’t we go out for a bit of air, said Aída from the bedroom, her voice still not clear from last night’s cigarettes. I was sitting on the toilet, flicking through one of those women’s magazines that published Aída’s photos. By some miracle, I didn’t have a hangover.
OK, I said, let’s go. Aída came into the bathroom, looking wide awake. I’ll make coffee, she said, stroked my forehead and left. I stayed in the bathroom for some time, engrossed in an article about a new equestrian style in women’s fashion which had been all the rage in Europe for years and which, according to the journalist, was going to land here at any moment. One photo, filling a quarter of a page, showed a blonde model, practically albino, her hair pulled tightly back like a ballerina, posing with her mare. I immediately thought of the moribund horse in Open Door and his owner, the two Jaimes, whom I had met the day before. I imagined them together, lying on the straw, keeping each other company right now, while Aída was making me breakfast.
I took the magazine into the kitchen to show Aída. Look, I say to her and she makes a contemptuous gesture with her hand. It was a joke, to piss her off, she didn’t like horses, even in photos. As a girl she’d had dreams, dreams of horses that she’d never tell me about. She called them dreams, but they must have been nightmares. I persisted anyway: I didn’t tell you about the horse from yesterday, I said, the one I went to examine. Poor animal, I think it’s got cancer. Aída pulled a disgusted face. And you know what? I said between sips of coffee, it has the same name as its owner: both of them are called Jaime. Aída laughed, thinking it was a joke.
Afterwards, while Aída showered, I had a second cup of coffee, black, no sugar, to wake me up a bit more.
Shortly before seven, I saw her for the last time. She was wearing faded jeans and a black T-shirt, she’d put her hair up in a kind of bun. She seemed happy, normal. Her breath was bitter, from an empty stomach.
We had gone to La Boca. We were bored, the walk had been a failure. Too many people around, too many noises all at once and nothing much to do.
At some point Aída went into a bar. She gestured with her hand, she barely moved her lips, she seemed to say I’ll be right back, or something like it. I lit a cigarette. With my back to the street, I caught my reflection in a long and narrow mirror with traditional painted designs around the edge. People passed to and fro and I disappeared and reappeared between them.
A blond boy stopped in front of me. He had a cigarette hanging from his mouth. He smiled at me and mimed lighting it with an imaginary lighter. I gave him mine. He couldn’t have been skinnier, or dirtier. He was that type of blond whose hair is the only blond thing about him. A tough street kid, tanned skin, full lips, theatrical stare, aged about fourteen or fifteen. He lit his cigarette with the tip of mine and lingered longer than necessary in handing it back. He had a scar snaking between the knuckles of one hand. He didn’t take his eyes off me. He looked at me the way some brats do, unintentional and yet intense.
‘Fancy a smoke?’ he said bringing his face closer, all his teeth on show. I just looked at him, a bit lost.
Do you want