means to sexual expression, he indulged constantly in what one enlightened authority was now calling “self-pleasuring.” Edward was pleased to discover the term. He was born too late in the century, in 1940, to believe that he was abusing his body, that his sight would be impaired, or that God watched on with stern incredulity as he bent daily to the task. Or even that everyone knew about it from his pale and inward look. All the same, a certain ill-defined disgrace hung over his efforts, a sense of failure and waste and, of course, loneliness. And pleasure was really an incidental benefit. The goal was release—from urgent, thought-confining desire for what could not be immediately had. How extraordinary it was, that a self-made spoonful, leaping clear of his body, should instantly free his mind to confront afresh Nelson’s decisiveness at Aboukir Bay.
Edward’s single most important contribution to the wedding arrangements was to refrain, for over a week. Not since he was twelve had he been so entirely chaste with himself. He wanted to be in top form for his bride. It was not easy, especially at night in bed, or in the mornings as he woke, or in the long afternoons, or in the hours before lunch, or after supper, during the hours before bed. Now here they were at last, married and alone. Why did he not rise from his roast, cover her in kisses and lead her toward the four-poster next door? It was not so simple. He had a fairly long history of engaging with Florence’s shyness. He had come to respect it, even revere it, mistaking it for a form of coyness, a conventional veil for a richly sexual nature. In all, part of the intricate depth of her personality, and proof of her quality. He persuaded himself that he preferred her this way. He did not spell it out for himself, but her reticence suited his own ignorance and lack of confidence; a more sensual and demanding woman, a
wild
woman, might have terrified him.
Their courtship had been a pavane, a stately unfolding, bound by protocols never agreed or voiced but generally observed. Nothing was ever discussed—nor did they feel the lack of intimate talk. These were matters beyond words, beyond definition. The language and practice of therapy, the currency of feelings diligently shared, mutually analyzed, were not yet in general circulation. While one heard of wealthier people going in for psychoanalysis, it was not yet customary to regard oneself in everyday terms as an enigma, as an exercise in narrative history, or as a problem waiting to be solved.
Between Edward and Florence, nothing happened quickly. Important advances, permissions wordlessly granted to extend what he was allowed to see or caress, were attained only gradually. The day in October he first saw her naked breasts long preceded the day he could touch them—December 19. He kissed them in February, though not her nipples, which he grazed with his lips once, in May. She allowed herself to advance across his own body with even greater caution. Sudden moves or radical suggestions on his part could undo months of good work. The evening in the cinema at a showing of
A Taste of Honey
when he took her hand and plunged it between his legs set the process back weeks. She became, not frosty, or even cool—that was never her way—but imperceptibly remote, perhaps disappointed, or even faintly betrayed. She retreated from him somehow without letting him ever feel in doubt about her love. Then at last they were back on course: when they were alone one Saturday afternoon in late March, with the rain falling heavily outside the windows of the disorderly sitting room of his parents’ tiny house in the Chiltern Hills, she let her hand rest briefly on, or near, his penis. For less than fifteen seconds, in rising hope and ecstasy, he felt her through two layers of fabric. As soon as she pulled away he knew he could bear it no more. He asked her to marry him.
He could not have known what it cost her to put a hand—it