mentioned or described in any annal of the Dublin police, I suppose not, because who is there left on the earth to read of the doings of the DMP? I can imagine all the books, all the daybooks and the night sergeant’s ledgers, the infinite and infinitely growing sheaves of reports and court-papers and the like, put into some cellar like the very coffins of vampires, and left there for the million pages to soften and melt together, so that not even the eyes of angels could turn them.
We returned to our splendid house. What I would make of it now with my grown old eyes I do not know, but its big front door, its five high windows, excited me because it looked like a place where lovely things would happen, my sisters spoil me, while my brother tramped in and out, glowering and happy in the same breath, and my father continue to master the tying of sashes and the complimenting of daughters. The photographer, who had already done his work on the parade ground, had followed us over, and my father was to be photographed standing now in the frame of his front door, and while the photographer adjusted his dials and prepared to throw the black cloth over his head, my father stood there, fidgeting, I thought, which I knew was a minor crime in this life, and looking to me differently from on the parade ground, there was an odd look in his face, not fear, but something close to it, a little traipsing leak of anxiety that I had never detected before. He was thinking his thoughts and what they were no child was ever to know I suppose.
Big as he was, and he was a man that ate four pounds of meat a day, the door was three times his width. It was open, and I could see the black darkness within, and it amused me that the last sunlight of that day might quite soon inch its way along our red-bricked wall and peer ever so briefly into the house, like a person with a candle. The sun currently sat on the extravagant roofs of the Chapel Royal, where all the flags of the viceroys hung, but not a place we would go into much, as Catholics. There was a little clasp of soldiers coming up from the Little Ship Street gates, they had just changed the guard there I am sure, and they were moving along smartly enough, but at the same time chatting and laughing, their guns carefully laid to their shoulders. Now and then the laughter grew, and the youthful noise clattered along the cobbled way, and climbed the low wall into the stable yards, making I was sure the lovely horses stir in their solitudes.
My father stood on the top step. Now the photographer was ready.
‘A few minutes, sir, now, do not stir yourself. Now, sir, a good smile for me, sir, please.’
And my father, much to my surprise, obliged this person, a rangy long fellow in a suit with shiny leather patches on his knees and elbows, no doubt related to his work, with as much kneeling and leaning involved as the life of a nun or a cornerboy, and, his boots planted firmly, his feather stilled now in the lee of the house, the little raggle-taggle of soldiers just passing, beamed out a smile as good as the Wicklow lighthouse when at last it turns in its great arc towards you. What use was the lighthouse’s light to those on land, I never knew, giving light to heather and fields, but really desiring to put that moon path of silver light along the tundras and swells of the Wicklow sea. What use was the lighthouse’s light? I was thinking, a child’s thought, and curious that I remember it, but that is partly because as I write I see it again, I am that girl again, Lilly Dunne herself, before everything, in my full reign as it were as a little girl, Queen Lilly herself, and my father is my father again, though dust he is now. I do not even know precisely where that resplendent man is buried, God forgive me, and when he died I was not told of the fact, or did not receive news of it, for seven years, for seven years my father lay dead in an unknown yard, and still he lies there, but at this moment,
Jo Beverley, Sally Mackenzie, Kaitlin O'Riley, Vanessa Kelly