experience as the mother of many children led her to deduce that all this stemmed from either a physical or a mental illness, and had nothing to do with evil or divine intervention. She attributed it to childhood vaccinations or to the onslaught of menstruation. She had always been opposed to the Public Health Service, which went from house to house rounding up the children crouching in the garden or hiding under the bed. Even though they struggled and she swore they had already had their shots, the aides still chased the children down and mercilessly injected them. She was sure that those liquids collected in the blood and caused changes in the body. In addition, although menstruation was a natural event in every womanâs life, for some it stirred the humors and put perverse ideas in their heads. Either of the two things could be the source of the terrible illness, but of one thing she was sure: her daughter would grow weaker, as happens in a really bad illness, and if she did not get better within a reasonable time, she would end up completely out of her head or in the grave. Others of her children had died young, felled by epidemics or surprised by accidents that were beyond treatment. That happened in every family. If the child was an infant, they did not cry over it, for it went straight to heaven to be with the angels, where it interceded for those on earth whose time had not come. Losing Evangelina would be more painful, since she would have to answer to her real mother. She did not want to give the impression of not having looked after the girl, because people would talk behind her back.
Digna was the first in her house to get up and the last to go to bed. With the roosterâs first crow she was already in the kitchen placing twigs on the still-warm coals from the night before. From the moment she began to boil the water for breakfast, she never sat down but was always busy with the children, the washing, the meals, the garden, the animals. Her days were all the same, like a rosary of identical beads shaping her existence. She did not know what rest was, and the only time she found relief was when she had a new baby. Her life was a chain of routines that varied only with the seasons. For her, there was nothing but work and weariness. The most peaceful moment of the day came at dusk, when she sat down with her sewing and a portable radio and was transported to a distant universe of which she understood very little. Her destiny seemed neither better nor worse than any otherâs. At times she concluded that she was a lucky woman, because at least Hipólito did not behave like a field hand; he worked in the circus, he was an artist, he traveled, he saw the world, and when he came back he told of the wonderful things heâd seen. He likes his wine, I donât deny it, but at heart heâs a good man, Digna thought. He was never there to help her when it was time to plow, to sow, to harvest, but her wandering husband had qualities that compensated for all that. He never dared hit her unless he was drunk, and then only if Pradelio, the oldest son, was nowhere nearby, because Hipólito Ranquileo never raised his hand in front of the boy. She enjoyed more freedom than other women; she visited her friends without asking permission; she could attend the religious services of the True Evangelical Church, and she had reared her children according to its gospel. She was accustomed to making decisions, and only in the wintertime, when her husband returned home, did she bow her head, lower her voice, and, out of respect, consult him before acting. But that time, too, had its advantages, even though often rain and poverty seemed to last an eternity. It was a time of calm; the fields rested, the days seemed shorter, dawn came later. They went to bed at five to save candles, and in the warmth of the blankets she could appreciate the worth of a good man.
Because he was an artist, Hipólito had not participated in
Elizabeth Ashby, T. Sue VerSteeg