Odd Interlude Part One Read Free Page A

antelope with its claws, pulls the prey off its feet, and tears out its throat. The graphic violence does not shock me awake but instead weighs on me, wearies me. Lifting its head, the triumphant cat stares at me, blood and saliva drizzling from its mouth, and says, “Sleep … sleep.”
    I can feel the words as well as hear them, sound waves issuing from the TV speakers, pulsing through me, a kind of sonic massage that relaxes my tense muscles, soothes the taut fibers of my nerves.
    Several hyenas test the panther as it drags the antelope into a tree to feed on it in higher branches where neither these wolfish rivals nor lions—which also do not climb—are able to follow.
    A hyena, wild-eyed and loathsome, bares its ragged teeth at the camera and whispers, “Sleep.” The rest of the pack repeats the word, “Sleep,” and the sonic waves quiver through me with a most pleasing narcotic effect, as does the voice of the panther in the tree, while the head of the antelope lolls on its ruined neck, its fixed eyes glazed with the most perfect sleep of all.
    I close my eyes, and the panther of the waking dream follows me into slumber. I hear the soft but heavy padding of its paws, feel its sinuous form slinking through my mind. For a moment, I am disquieted, but the intruder purrs, and its purring calms me. Now the big cat is climbing into another tree, and although I am not dead, the creature carries me with it, for I am powerless to resist. I am not afraid, because it tells me that I should have no fear, and as before, not just the meaning of the words but also the sound waves of which they are formed seem to oil the waters of my mind.
    This is the tree of night, black branches reaching high into the starless sky, and nothing can be seen but the panther’s lantern eyes, which grow in size and brightness until they are owlish. In that low, rough voice, it says,
Why can’t I read you?
Perhaps it is neither owl nor panther, because now I feel what seem to be fingers, as if I am a book of countless pages that are being turned, pages that prove to be blank, the fingers sliding across the paper as if seeking the raised dots of a biography in braille.
    The mood changes, the would-be reader’s frustration is palpable, and in the darkness, the eyes are suddenly green with elliptical pupils. If this is a dream, it’s also something more than a dream.
    Although a dream shapes itself and can’t be consciously scripted by the dreamer, when I wish for light, I have the power to call it forth. Darkness begins to recede from the tangled black limbs of the tree, and the shape of the would-be reader begins to coalesce out of the gloom.
    I am
thrust
awake, as if the mysterious figure in the nightmare has thrown me out of it. I scramble to my feet, aware of movement to my right, at the periphery of vision, but when I pivot toward it, I find myself alone.
    Behind me, something thrums, as if a pair of practiced hands are strumming arpeggios from a harp with only bass strings. When I turn, no origin of the sound is obvious—and now it arises not from where it had been but from the alcove in which stands the bed.
    Seeking the source, I am led into the alcove and then to the bathroom door, which is ajar. Darkness lies beyond.
    In my exhaustion and emotional confusion, I have forgotten my pistol. It’s tucked under the front passenger seat of the Mercedes.
    The gun once belonged to the wife of a minister in Magic Beach. Her husband, the reverend, had shot her to death before she could shoot him. In their particular denomination of Christianity, the faithful are evidently too impatient to wait for prayer to solve their problems.
    I push open the bathroom door and switch on the lights. The thrumming swells louder, but now comes from behind me.
    Turning, I discover that Boo has returned, but he is not the primary point of interest. My attention is drawn to what has also transfixed the dog: a quick transparent
something
, visible only by the