Oblomov Read Free Page A

(Würzburg, 1974).
Stilman, Leon, ‘Oblomovka Revisited’, The American Slavic and East European Review , 7 (1948).
Terry, Garth M., Ivan Goncharov: A Bibliography (Nottingham, 1986).

PART ONE
    1
    I LYA I LYICH O BLOMOV was lying in bed one morning in his flat in Gorokhovaya Street in one of those large houses which have as many inhabitants as a country town.
    He was a man of about thirty-two or three, of medium height and pleasant appearance, with dark grey eyes, but with a total absence of any definite idea, any concentration, in his features. Thoughts promenaded freely all over his face, fluttered about in his eyes, reposed on his half-parted lips, concealed themselves in the furrows of his brow, and then vanished completely – and it was at such moments that an expression of serene unconcern spread all over his face. This unconcern passed from his face into the contours of his body and even into the folds of his dressing-gown.
    Occasionally a sombre look of something like fatigue or boredom crept into his eyes; but neither fatigue nor boredom could banish for a moment the mildness which was the predominant and fundamental expression not only of his face but of his whole soul, so serenely and unashamedly reflected in his eyes, his smile and every movement of his head and hands. A cold and superficial observer, casting a passing glance at Oblomov, would have said: ‘A good-natured fellow, I’ll be bound, a simpleton!’ A more thoughtful and sympathetic man, after a long scrutiny of his face, would have walked away with a smile, full of pleasant thoughts.
    Oblomov’s complexion was not ruddy, nor dark, nor particularly pale, but rather nondescript, or seemed to be so because he had grown so fat and flabby – which was unusual for a man of his age – whether because of lack of exercise, or fresh air, or both, it is difficult to say. Generally speaking, his body, if one were to judge by the dull and excessively white colour of his neck, his small, chubby hands, and his soft shoulders, seemed too effeminate for a man.
    His movements, too, even when he was excited, were kept in check by a certain kind of mildness and laziness which was not without its own touch of gracefulness. If his mind was troubled,his eyes were clouded over, lines appeared on his forehead, and he was plunged into doubt, sadness, and fear; but his anxiety seldom took the form of any definite idea and still more seldom was it transformed into a decision. All his anxiety resolved itself into a sigh and dissolved into apathy or drowsiness.
    How well Oblomov’s indoor clothes went with the calm features of his countenance and his effeminate body! He wore a dressing-gown of Persian cloth – a real oriental dressing-gown, without the slightest hint of Europe, without tassels, without velvet trimmings, and so capacious that he could wrap it round him twice. The sleeves, in true Asiatic fashion, got wider and wider from the shoulders to the hands. Though this dressing-gown had lost its original freshness and here and there exchanged its natural sheen for one acquired by years of faithful service, it still preserved the brilliance of its oriental colour, and the material was as strong as ever.
    The dressing-gown had a vast number of inestimable qualities in Oblomov’s eyes: it was soft and flexible, it was so light that he did not feel its weight, and it obeyed the least movement of his body like a devoted slave.
    Oblomov never wore a tie or a waistcoat at home because he liked to feel unhampered and free. He wore long, soft, wide slippers; when he put his feet on the floor as he got out of bed, he invariably stepped into them without looking.
    Lying down was not for Oblomov a necessity, as it is for a sick man or for a man who is sleepy; or a matter of chance, as it is for a man who is tired; or a pleasure, as it is for a lazy man: it was his normal condition. When he was at home – and he was almost always at home – he lay down all the time, and