Notes of a Native Son

Notes of a Native Son Read Free Page B

Book: Notes of a Native Son Read Free
Author: James Baldwin
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human or irrelevant.
    Or—as they are, indeed, already, in all but actual fact: obsolete. For, if trouble don’t last always, as the Preacher tells us, neither does Power, and it is on the fact or the hope or the myth of Power that that identity which calls itself White has always seemed to depend.
    I had just turned thirty-one when this book was first published, and, by the time you read this, I will be sixty. I think that quite remarkable, but I do not mention it, now, as an occasion for celebrations or lamentations. I don’t feel that I have any reason to complain: emphatically, the contrary, to leave it at that, and no matter what tomorrow brings. Yet, I have reason to reflect—one always does, when forced to take a long look back. I remember many people who helped me in indescribable ways, all those years ago, when I was the popeyed, tongue-tied kid, in my memory sitting in a corner, on the floor. I was having a rough time in the Village, where the bulk of the populace, egged on by the cops, thought it was great fun to bounce tables and chairs off my head, and I soon stopped talking about my “constitutional” rights. I am, I suppose, a survivor.
    A survivor of what? In those years, I was told, when I became terrified, vehement, or lachrymose:
It takes time, Jimmy. It takes time.
I agree: I still agree: though it certainly didn’t take much time for some of the people I knew then—in the Fifties—to turn tail, to decide to make it, and drape themselves in the American flag. A wretched and despicable band of cowards, whom I once trusted with my life—
friends like these!
    But we will discuss all that another day. When I was told, it takes time, when I was young, I was being told it will take time before a Black person can be treated as a human being here, but it will happen. We will help to make it happen. We promise you.
    Sixty years of one man’s life is a long time to deliver on a promise, especially considering all the lives preceding and surrounding my own.
    What has happened, in the time of my time, is the record of my ancestors. No promise was kept with them, no promise was kept with me, nor can I counsel those coming after me, nor my global kinsmen, to believe a word uttered by my morally bankrupt and desperately dishonest countrymen.
    “And,”
says Doris Lessing, in her preface to
African Stories, “while the cruelties of the white man toward the black man are among the heaviest counts in the indictment against humanity, colour prejudice is not our original fault, but only one aspect of the atrophy of the imagination that prevents us from seeing ourselves in every creature that breathes under the sun.”
    Amen.
En avant.
    18 April 1984
Amherst, Massachusetts

Autobiographical Notes
    I was born in Harlem thirty-one years ago. I began plotting novels at about the time I learned to read. The story of my childhood is the usual bleak fantasy, and we can dismiss it with the restrained observation that I certainly would not consider living it again. In those days my mother was given to the exasperating and mysterious habit of having babies. As they were born, I took them over with one hand and held a book with the other. The children probably suffered, though they have since been kind enough to deny it, and in this way I read
Uncle Tom’s Cabin
and
A Tale of Two Cities
over and over and over again; in this way, in fact, I read just about everything I could get my hands on—except the Bible, probably because it was the only book I was encouraged to read. I must also confess that I wrote—a great deal—and my first professional triumph, in any case, the first effort of mine to be seen in print, occurred at the age of twelve or thereabouts, when a short story I had written about the Spanish revolution won some sort of prize in an extremely short-lived church newspaper. I remember the story was censored by the lady editor, though I don’t remember why, and I was outraged.
    Also wrote plays, and songs, for

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