neither a painting nor a photograph, for the surface was alive with movement. The image was startlingly clearâfar better than any 3-D or high-def television sheâd ever seen. It was so terribly real that it seemed less like something to hang on a wall and more like a window into another world.
âAre youâare you trying to upsell me?â Eliza shot a suspicious glance to Lancaster.
His mouth fell open. âI must beg your pardon! What?â
âUpsell. You lure me in with a deal on the gown to high-pressure me to buy some kind of high-def Victorian doodad?â
âI assure you, Miss Pepper, we are doing nothing of the kind. This item is most certainly not for sale. And it is not a doodad , whatever that may be. Itâs genuine.â
âItâs genuine what?â
âSee for yourself,â Lancaster said cryptically.
She moved her hand back toward the surface of the mirror. When her palm was an inch from the frame, she felt a slight dampness, tiny drops of sprayâfrom the moving pictureâmisted upon her skin. As she leaned in, she heard the faint sound of rain splattering against the cobblestones and a distinctive clop-clop of horse hooves.
Her world tilted and the ground beneath her turned spongy. As her heart stuttered, she snatched her hand away and back-pedaled toward her chair. She satâor rather, collapsedâwith a thump. âItâs real ?â she gasped.
Lancaster gave her serious look and a nod. âAs real as you or me. Should you choose, you could step through that frame and find yourself in London in the year 1873.â
âAnd why would youâ? Why would Iâ?â Unsure of how to finish either sentence, Eliza shook her head. Her former skepticism burned away like dew in the summer sun.
Lancaster stepped toward her and perched on the edge of his desk. His eyes studied her carefully. âAre you quite all right, Miss Pepper?â
Eliza nodded vigorously. The room seemed to sway so she kept her eyes on the wood floor. âItâs justâ¦wow. A lot to take in. I kind of thought you guys were a pair of nutters.â
âWe get that reaction almost one hundred percent of the time,â York soothed. âEven with the Rasputin case.â
âWho are you guys?â Eliza blurted.
âWeâre the Repairmen.â York pulled up a stool and settled in next to Eliza, looking concerned. âJames doesnât like the term because it sounds too working class.â
âWhich is precisely the reason you insist upon using it.â Lancaster shot a dark glance at his partner.
âWhat do you repair?â Eliza asked.
âWe are tasked with mending situations that have gone wrong in times past. Hence, we have the ability to time travel.â Lancaster gestured toward the Victorian scene playing out in the gilt-edged frame.
âSo if something bad happened in the past, itâs your job to go back and fix it?â
âItâs very similar to that, yes. Only we work under very strict parameters, which do not allow us to intervene directly. We are tasked with finding a person whoâs willing to travel back and repair the damage themselves. Someone like you, Miss Pepper.â Lancaster kept a clinical gaze on her.
âBut why me?â Eliza asked.
âYouâre the first candidate weâve met with a working knowledge of the Victorian era. Youâre the right gender and age for the position and most importantly, youâre an American.â Lancaster pursed his lips and continued watching her. âAnd we need someone to fill the position, rather expeditiously.â
âYeah, you mentioned something about the tight parameters.â
âSo, would you be willing to partake of such an endeavor?â Lancaster asked.
âWhat about my job?â Eliza asked. âIâm not so much with family, but I do have friends. People who would miss me. I canât