eight hours in little more than leather chaps and a cowboy hatâand pretending you enjoy itâisnât acting, I donât know what is.
Itâs been six months since Liz hooked me up with a world-famous acting coach. Then McGregor called my coach a few weeks ago to say he was still looking for another male lead, and I jumped at the chance to audition.
Today is my third callback. The casting director gave me the same poker face as she did during my previous screen tests, but in the end, she smiled and said, âLoved it. Follow me.â
She led me through a maze of halls covered with movie and TV memorabilia and told me to wait outside McGregorâs office while they watched my final audition tape.
After forty-five minutes, the office door finally opens. âMr. McGregor would like to speak with you,â the casting director tells me. Then as she passes me on the way out, she pauses to whisper, âHeâs a little eccentric, but trust me, he can make you a star.â
Iâve only taken my first step into the massive corner office when a man comes at me so fast that all I see is a blur of flaming red hair. âHere you are, in the flesh!â McGregor says. âAnd every bit as handsome.â
Liz warned me about his thick Scottish accent, so I was expecting it, but Iâm still not sure I understood him right. âUh, thanks,â I reply. âItâs good to meet you.â
At six-two I tower over McGregor by several inches. It doesnât matter, thoughâthe guy oozes confidence. And heâs probably held at least a dozen gold statues in the hand I now shake, so itâs deserved.
The walls of his office are plastered with promotional posters and photo after photo of stars heâs worked with. Oak shelves are stuffed with books and portfolios, and award statues are lined up in a glass case. Itâs like being in a museum. I donât dare touch anything.
McGregor motions for me to sit in a black armchair in front of his desk, then settles into his own chair opposite me. âSorry for the wait,â he says. âI was on the phone with your agent.â This was their fourth call, which should mean Iâm at least on the short list. âMr. Elliott, itâs taken some snooping around to get the full picture of you, but Iâve gained the impression that you didnât grow up hoping to be a model-slash-actor like so many others in this business.â I hesitate before nodding. âWhat were your original plans?â he goes on. âSay, ten years ago?â
âLike ⦠when I was a kid?â
âIsnât that when most dreams begin?â he asks. âAs a child in Scotland, I wanted to run away to Spain and be a matador. But here I am in the US, red-inking a comfort list longer than the Great Wall of China.â He slides a legal-size sheet of paper across his desk so I can see what heâs crossed out: a steam shower and on-site massage therapist are just a few of the demands someone has made. â
Bull
fighting, indeed. How about you?â
âWell ⦠I think I first wanted to be an astronaut, and then a baseball player,â I reply, loosening up. âBut then I got this crazy idea when I was in the third grade and took like twenty pairs of my momâs shoes, set up a store on the sidewalk in front of my house,and sold every last pair to the girls in my neighborhood. They didnât even care that the shoes were too big.â
McGregor raises his bushy ginger brows at me. âI canât imagine why.â
I shift in my chair. âAnyway, from then on, all I wanted to be was a businessmanâbuying, selling, making deals. Whatever.â
Thatâs still the only thing I want to do, but as my buddy Devin once put it, I traded my college plans for bronzing powder.
âI assume your mother got her shoes back?â McGregor asks.
I smile when I recall all her spiky high heels, in every
Lauraine Snelling, Alexandra O'Karm