the hum of the other machines rose significantly, as though they were having to work harder. A third machine blew apart like a grenade, throwing sharp-edged steel shrapnel almost the length of the hall. Some of the overhead lights flickered and went out. There were shadows everywhere now, deep and dark. Some of the other machines began making unpleasant, threatening noises. And still there was no sign of the saboteur anywhere.
Vincent's face was pale and sweaty, and his hand trembled as he swept his laser gun back and forth, searching for a target. "Come on, come on," he said hoarsely. "You're on my territory now. I'm ready for you."
Something pale flashed briefly at the corner of my eye. I snapped around, but it was already gone. It appeared again, just a glimpse of white in the shadows between two machines. It flashed back and forth, appearing and disappearing in the blink of an eye, darting up and down the length of the hall. Glimmers of shimmering white as fleeting as moonlight, but I thought I was beginning to make out an impression of a pale, haunted face. It moved in the shadows, never venturing out into the light. But it was gradually drawing nearer. Heading for us, or perhaps for the steel door behind us and the secret vulnerable heart of Prometheus Inc.
My first thought was that it had to be a ghost of some kind, maybe a poltergeist. Which would explain why the CCTV cameras hadn't been able to see anything. Ghosts could operate in science- or magic-dominated areas, provided their motivation was strong enough. In which case, Vincent needed a priest or an exorcist, not a private eye. I suggested as much to Vincent, and he shrugged angrily.
"I had my people do a full background check on this location before we began construction; and they didn't turn up anything. The whole area was supposed to be entirely free from magical or paranormal influences. That's why I built here. I'm the Mechanic, I build things. It's a talent, just like your talent for finding things, John. I don't know about ghosts. You're the expert on these matters. What do we do?"
"Depends what the ghost wants," I said.
"It wants to destroy me! I would have thought that was obvious. What was that?"
The white figure was flashing in and out of the shadows, on every side at once, drawing steadily closer all the time. Shimmering white, ragged round the edges, with long, reaching arms and a dark malevolent glare in an indistinct face. It gestured abruptly, and suddenly all the shrapnel scattered across the floor rose and hammered us like a metallic hailstorm. I put my arms over my head and did my best to shield Vincent with my body. The rain of objects ended as suddenly as it began, and we looked up to see something pale and dangerous squatting on one of the machines, tearing it apart with unnatural strength. Vincent howled with rage and fired his laser, but the figure was gone long before the light beam could reach it. I glared about me, my back pressed hard against the steel door. There were no other exits, no way to escape. So I did the only thing I could. I used my talent.
I don't like to use it too often, or for too long. It helps my enemies find me.
I reached inside, concentrating, and my third eye, my private eye, slowly opened. And just like that, I could see her clearly. As though my psychic gaze had focused her, made her plain at last, she walked out of the shadows and into the light, standing openly before us. She nodded to me, then glared at Vincent with her deep dark eyes. I knew her immediately, though she looked very different from her wedding photo. Melinda Dusk, dead these six years, still wearing her wonderful white wedding dress, though it hung in tatters about her corpse-pale body. Her raven black hair fell in thick ringlets to her bare shoulders. Her lips were a pale purple. Her eyes . . . were black on black, like two deep holes in her face. She looked angry, haunted, vicious. The Hanged Man's Daughter, mistress of the dark