monks in the cloister. I sat down on the wall by the foot of the stairs that went up to Michelangeloâs intimidating entrancewayâone of the projects he had managed to finish. The sun was coming down into the courtyard, my own familiar golden sunlight. The scent of blossom from the tree was heady. Here too the pillars and proportions were perfectly right. But although the library was open, there was no sign of Athene. I sat there for a while enjoying the sunlight and the scent and thinking. It was quiet in the cloister, with distant muted street sounds, and close by only the humming of bees and the occasional swish of a monkâs robe to disturb me. I didnât disturb them at all. If anything, Iâd have looked like a brighter patch of sunlight.
After an hour of waiting, I stepped outside time, and checked the courtyard at other times throughout the day. When I still couldnât find Athene I tried the day before, in case, but the orange blossom wasnât quite out, and she wasnât there anyway.
I went up to the libraryâdirectly, stepping into that wonderful room from outside time, to avoid the effect of Michelangeloâs deliberately daunting staircase. I looked around. I was accustomed now to the library in the City, with its controlled temperature, electric lights, and all the books of the ancient world rescued from the Library of Alexandria in multiple neatly printed copies. But this was more movingâthe high windows giving light to work, the patterned tiles on the floor, the wooden benches with the books chained to them and scholars sitting reading and working. The books themselves were mostly hand-copied texts, preserved through time, saved from the ruins, written out painstakingly. They lost Homer for a time, but they got him back. Ficino had worked here. They had the oldest and most complete copy of the Aeneid . These books were here because people had cared about them, individually, cared enough to copy them and pass them forward across centuries and civilizations, hand stretching out to human hand through time, with no surety that any future hand would be waiting to receive the offering. All the texts from antiquity that had survived the time between were in this room. But Athene wasnât.
It was inexplicable. I had the day right, but she wasnât here. She couldnât have forgotten! Perhaps I had. It had been forty years for me, and perhaps I had confused the year. If so, there was no use guessing. Iâd have to go and find her, in her own library, or wherever she was. I patted the sloping wood of the nearest bench, putting a little of my power into it so that those who worked there would see more clearly. It was such a beautiful room, about as close to perfect as any mortal thing can be. I stepped out of time.
Once outside time, I felt for Athene. Itâs difficult to describe. Usually when I do it, I get a sensation like an itch that leads me towards whoever Iâm looking for, like a compass, if one were the needle. This time, I got nothing at all.
Of course, the first thing I thought was that this was a power I hadnât tested since I had taken up my godhood again, and that Iâd lost the ability, or forgotten how to do it. It was distressing. No, thatâs not strong enough. Even in my proper self, it felt horrible to think that I might have damaged myself, made myself limited, permanently lost parts of my abilities. I stepped back into time and sat in the courtyard until my sun warmed away the chill that thought brought. I wanted to change, but I wanted to grow more excellent, always: better, not worse. Experiencing the physical decay that went with old age had been bad enough. But with those losses I could tell myself not only that it was temporary, but that I was understanding humanity better by learning about what they went through. There would be no advantage to this.
I stepped out of time again and felt for Athene once more. Still nothing. I
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