sing in my mind like wine. What you
did not dare in your life you dare in mine.
THE CHUPPAH
Dedicated to Rabbi Debra Hachen
,
who made a beautiful wedding with us
,
for which many of the poems in this section were written
.
Two poems by Ira Wood are included
.
Witnessing a wedding
Slowly and slower you have learned
to let yourselves grow while weaving
through each other in strong cloth.
It is not strangeness in the mate
you must fear, and not the fear
that loosens us so we lean back
chilly with a sudden draft on flesh
recently joined and taste again
the other sharp as tin in the mouth,
but familiarity we must mistrust,
the word based on the family
that fogs the sight and plugs the nose.
Fills the ears with the wax of possession.
Toughens the daily dead skin
callused against penetration.
Never think you know finally, or say
My husband likes, My wife is,
without balancing in the coil of the inner ear
that no one is surely anything till dead.
Love without respect is cold as a boa
constrictor, its caresses as choking.
Celebrate your differences in bed.
Like species, couples die out or evolve.
Ah strange new beasties with strawberry hides,
velvet green antlers, undulant necks,
tentacles, wings and the senses of bees,
your own changing mosaic of face
and the face of the stranger you live with
and try to love, who enters your body
like water, like pain, like food.
Touch tones
We learn each other in braille,
what the tongue and teeth taste,
what the fingers trace, translate
into arias of knowledge and delight
of silk and stubble, of bark
and velvet and wet roses,
warbling colors that splash through
bronze, violet, dragonfly jade,
the red of raspberries, lacquer, odor
of resin, the voice that later
comes unbidden as a Mozart horn
concerto circling in the ears.
You are translated from label,
politic mask, accomplished patter,
to the hands round hefting,
to a weight, a thrust, a scent
sharp as walking in early
morning a path through a meadow
where a fox has been last night
and something in the genes saying
FOX to that rich ruddy smell.
The texture of lambswool, of broadcloth
can speak a name in runes. Absent,
your presence carols in the blood.
The place where everything changed
Great love is an abrupt switching
in a life bearing along at express speeds
expecting to reach the designated stations
at the minute listed in the timetable.
Great love can cause derailment,
coaches upended, people screaming,
luggage strewn over the mountainside,
blood and paper on the grass.
Itâs months before the repairs are done,
everyone discharged from the hospital,
all the lawsuits settled, damage
paid for, the scandal subsided.
Then we get on with the journey
in some new direction, hiking overland
with camels, mules, via helicopter
by barge through canals.
The maps are all redrawn and what
was north is east of south
and there be dragons in those mountains
and the sun shines warmer and hairier
and the moon has a catâs face.
There is more sunshine. More rain.
The seasons are marked and intense.
We seldom catch colds.
There is always you at my back
ready to fight when I must fight;
there is always you at my side
the words flashing light and shadow.
What was grey ripples scarlet and golden;
what was bland reeks of ginger and brandy;
what was empty roars like a packed stadium;
what slept gallops for miles.
Even our bones are reformed in the close
night when we hold each otherâs dreams.
Memories uncoil backward and are remade.
Now the first egg itself is freshly twinned.
We build daily houses brick by brick.
We put each other up at night like tents.
This story tells itself as it grows.
Each morning we give birth to one another.
What Makes It Good?
What makes it good
Is that we came to this
Having each tasted freely
Of the sweet plum flesh of others.
So your head will not turn?
It may turn.
But my feet wonât follow.
What makes it