white bucks with them. Even his socks were white.â
âHe drowned in Lake Pontchartrain. Fell out of a boat.â
âFell
, did you say?â
âYes, fell and drowned.â
âFell and drowned,â repeats Miss Marcelle, in a way to suggest that she herself isnât quite sure about the facts connected to the incident.
Sonny admires Miss Marcelleâs carefully made-up face and hairdo, and how she always seems to dress even though she has no plan to leave the house. She is lovely for a woman her age, which Sonny puts at about sixty-five. When he lets himself, as he does now, he can see past the paint and the wrinkles and find the face of Juliet. And he understands that this, and not companionship, is the real reason why he continues to visit the mansion.
âMiss Marcelle?â he seems to hear himself ask this day. âMiss Marcelle, do you think Julie loved me? If she loved me,â and he still canât believe heâs hearing it, âhow could she leave like she did? How could she do it, Miss Marcelle?â
Sonny has barely spoken when he realizes that, looped or not, heâs made a terrible mistake. Miss Marcelle shifts in her chair. âSonny, youâve had too much to drink.â
âPlease, Miss Marcelle, Iâm tired of the mystery.â
âBut not tired enough, obviously, to let it go. For your own good you need to do that.â
âI canât. Iâve tried and itâs no use. She told me she would come back and haunt me. Sheâs doing it. She might still be alive somewhere but Iâm living with the ghost.â
âYour ghost is not well. Juliet today is a deeply troubled girl. At the risk of disillusioning you more let me just say that sheâs not the person you keep in your heart. Sonny, youâre a fine young man and you need to forget about Juliet. Meet someone who shares your values and wants what you want and raise a family together. Start a life, in other words.â
âIâve got a life. Iâm an artist and I date plenty and I even got engaged once. Thatâs having a life.â
Sonny reaches for the bottle but, finding it empty, settles on a cookie. He finishes it before saying anything more. âYou like Oreos after theyâve been in the freezer, Miss Marcelle?â
âYes, theyâre good frozen.â
âI think Iâll freeze some Funyons and try them that way.â
âSonny, I think Iâll have Anna Huey drive you home now. You can come for your truck later.â Sonny stands. As he starts to leave the room Miss Marcelle says, âDonât come back again, Sonny. Donât ever come back. You wonât find what you need in this house.â
Her mother runs off screaming, and Juliet picks up one of the many greeting cards displayed in the parlor. It shows her name and so, too, does the next one she inspects.
Juliet
, they both say in a clean, composed script, not at all similar to her copperplate.
All told there must be a hundred such cards in the room, most of them standard-issue Hallmark with sentimental inscriptions and pictures of flowers, birds and unicorns.
âAnna Huey, what are these cards?â
Anna Huey, who for some reason has always gone by her full married name, places a hand on Julietâs shoulder and attempts to guide her out of the room. âSugar, why donât you surprise us all and be a dear for a change. If you canât be a dear at least lower your voice.â
âIâll show you a dear,â Juliet shouts.
âSugar, I donât want your mother any more riled than she already is.â
Juliet swings her arm and knocks Anna Hueyâs hand away. âWhat are these cards, I said. And why is my name in them?â
âSweetie? Please donât getââ
âI demand to know who sent them. Tell me.â
âAnthony,â comes the whispered reply.
Disgust darkens Julietâs expression as she