you?
âThank you,â said Jane. âIâll let you know.â
But . . .
âGoodbye.â She switched the machine off and pulled out the disk. As she did so, the printer suddenly screamed into life, shuttled the daisywheel a few times and went back to sleep. Jane pulled out the paper.
I ALSO DO COMEDY , it read. AND BAR MITZ-VAHS .
Having binned the page, switched on again and deleted yesterdayâs effort, Jane sat for a moment, wondering what the hell she was supposed to do now. A long time ago she had decided that writing was like the school holidays: a noisy cluster of whining voices, saying that theyâre bored and demanding that she find them something to do.Thatâs the trouble with characters. No bloody initiative.
Â
Skinner leaned back against the rock, feeling dazed and extremely foolish, as befits a man whoâs just shot his own villain.
âTold you,â crowed the Scholfield in his hand. âPiece of duff, I said. Easy as falling off aââ
âOh sure,â Skinner snapped. âNothing to it really LaForce shoots, nearly takes my head off; I stagger back in terror, accidentally jarring my hand against the rock; you go off; the bullet ricochets off his left stirrup-iron, his belt-buckle, the other guyâs wooden leg and a flat stone, and ends up going straight through the back of his head, thus producing the only known instance of a man being shot from behind by someone standing directly in front of him. I do that sort of thing for a pastime.â
âWell,â sniffed the Scholfield, âon page 86 of Painted Saddles , you have the hero shoot at the villainâs reflection in a mirror, through two locked doors and a piano.â
âYes,â Skinner shouted, âbut thatâs fiction !â
âSoâs this.â
Skinner sat down heavily and stared mournfully at the corpses littering the canyon floor. âYes,â he muttered soberly, âI guess it is, at that.â
A revolver canât frown, but someone with an excessively vivid imagination might have thought he saw the trigger guard pucker slightly. âI donât know why youâve suddenly come over all droopy,â the gun said. âThought
youâd be pleased, your worst enemy dead and all. Should make life a bit easier all round.â
A bullet sang off the rock, six inches or so above Skinnerâs head. He jerked sideways, tripped over his feet and fell behind a small, round boulder.
âYou reckon?â he said.
âWho the hellâs that?â
âThis is pure conjecture on my part,â Skinner replied, âbut maybe itâs one of the posse members who rode away when you started shooting.â
âAnd now you reckon theyâve come back.â
âFits all the known facts, donât you think?â
âYippee!â
An expression of revulsion passed over Skinnerâs face, and he glared at the pistol in his hand. âYou bastard,â he said. âDonât you ever get tired of fighting?â
âNo. Iâm a gun. Think about it.â
Skinner sighed. âWell,â he said, âIâm a human, and I do. Any ideas?â
The gun was silent for a moment.
âYou could try shooting back,â it said cheerfully.
âI thought youâd say that.â
CHAPTER TWO
T he pigeons were restless tonight.
They shifted uneasily on their perches as blue fangs of lightning gouged the night sky over the huddled suburbs of Dewsbury. Occasional flashes of livid incandescence, bright and sudden as a flashbulb, threw their long shadows against the far wall of Norman Frankenbothamâs pigeon loft, making them look for all the world like roosting pterodactyls.
In his shed, Frankenbotham gazed up at the fury of the heavens through the thick lenses of his Specsavers reading glasses. He didnât smile - he was from Yorkshire, after all - but in some inner chamber of his heart he was