the sidewalk looking very much like a little wooden man marching down a plank, weaving from side to side.
What nearly everyone noticed first about Mr. Gibbon were his eyes. They were cloudy, pearly and ill-looking. It was his eyes that got him discharged from the army and not the fact that he was at retirement age. He had changed his age several times on his file card to make absolutely sure that he would die in the army. There was no way to disperse the fog in his eyes. He could see all right, his eyes were âdamn goodâ and he had never been sick a day in his life. Yet his eyes looked wrong. They were the wrong color. Indeed, there seemed to be something seriously wrong with those eyes. They were the color of nonfat milk.
Mr. Gibbonâs nose was sharp, as was his chin and the ridge of his head where the skull sutures pushed against the skin. His neck was a collection of wattles, folds and very thin wrinkles. The base of his neck seemed small, bird-like, as if it had been choked thin by a tight collar for many years.
And his mouth. âIâve got fifteen teeth,â Mr. Gibbon was fond of saying. The teeth were not visible. They were somewhere within the shapeless lips, which stretched and chewed even when Mr. Gibbon was not eating. It was the kind of mouth that caused people to think that he was a nasty man.
From the rear he looked like nearly every other man his age. His head was wide at the top, not a dome, but a wedge. The back of his skinny neck was an old unhappy face of wrinkles. There was even a wrinkle the size of a small mouth, frowning from the back of Mr. Gibbonâs neck. His ears stuck out, his shoulders were bony and rounded, his spine protruded. He was vaguely bucket-assed, but not so much bucket-like as edgy, a flat bottom that is known as starchy, as if it contained a large piece of cardboard.
âYou canât rile me,â Mr. Gibbon said. It was mostly true. He stayed calm most of the time, and when he was angry did not speak: instead he wheezed, he puffed, he blew, he sighed, he groaned. And maybe he would mumble an obscenity or two.
His favorite song was the National Anthem, and the less violins, the more brass, the better. An old song, he said, but a good solid one. Youâd be proud to get up on your hind legs and be counted when it playedâit was that kind of song, a patriotic song. âIf you wanna name names, Iâm a patriot,â said Mr. Gibbon. He liked the anonymity of citizenship and patriotism. He wanted to be in that great bunch of great people that listened, that saluted, that obeyed the countryâs command whether at home or abroad, whether down at the pool hall or far afield, at work or at play. The song ran through him and charged his whole body and made it tingle. Mr. Gibbon wheezed and spat when he was angry, but he also wheezed and spat when he was emotionally involved; he got choked up. Something of a patriotic nature always brought rheum to his eyes: hearing the anthem, seeing the flag or his army buddies. Or just the thought of them.
He had resigned himself to being out of the army as much as he could. You couldnât do it completely. He knew that. It was in the blood. It was something that wouldnât leave you for all your born days. Something you wouldnât want to leave even if it were possible. Something great and good. Something powerful.
It was a sad day when the army doctor took a last look at Mr. Gibbonâs cloudy eyes and said, âThereâs something sick about them eyes. I donât know what medical science would say, but I donât like the looks of them . . .â
That was all there was to it. In a few days Mr. Gibbon was out of the army. He had been in for thirty-eight years. âThatâs a lifetime for some people, thirty-eight years,â he would say. And when he was feeling very low he would say, âThat was my lifetime, thirty-eight years in Uncle Samâs army. Just hanging on now