finished pieces were sitting on a long, well-worn table with a chipped marble top that stood near the French doors, awaiting transport to the local foundry, where they would be cast in bronze or other materials.
Ninaâs mother was at the table now, along with the familyâs longtime maid, Delphine, a petite and energetic woman who proudly traced her ancestors back to one of the French casquette girls who had arrived in New Orleans in the 1700s. The two of them were bent over a piece on the table. It was a medium-size sculpture that Ninaâs mother had been rushing to finish the past few weeks, a modernist portrayal of several women laughing and cooking together. The shapes and details were fluid and rather abstract, like most of Ninaâs motherâs work, but Nina could tell that the women in the piece had been inspired by her aunts and cousins.
At the moment, Ninaâs mother and Delphine were grasping the base of the clay sculpture, clearly planning to hoist it off the table and into the large wooden crate sittingon the floor near the door. From past experience in helping her parents move similar pieces, Nina guessed that the thing had to weigh at least fifty or sixty pounds.
âHang on!â Ninaâs father exclaimed, striding forward. âLet me help.â
âYeah,â Nina said at the same time.
She didnât notice that the cats had followed her to the studio. As she stepped forward, the toe of her paddock boot landed squarely on Teniersâs tail. The cat squawked loudly and shot forwardâjust as Ninaâs mother took a step, staggering slightly under the sculptureâs weight.
âNon, non!â Delphine said. âI need toââ
She never finished the comment. Teniers crashed into Ninaâs motherâs legs, tripping her just as she took another unsteady half step.
âAck!â she exclaimed as the sculpture jerked out of her grasp. Delphine tried to hang on to her half, but it was no use.
âCareful!â Ninaâs father yelped.
CRASH!
The sculpture landed upside down, squashing the softclay of the top half of the piece. The intricate figures were reduced to mostly shapeless blobs.
âOh! Oh!â the maid cried, her hands flying to her face. âThe ladiesâthey are ruined!â
Tears sprang to Ninaâs eyes. All that work!
âOh, Mom,â she exclaimed. âIâm so sorry! This is all my faultâif I hadnât been lateââ
âMe too,â her father added, stepping forward to encircle his wife in his long arms. âIâm sorry, love.â
âNo, itâs all right.â Ninaâs mother sighed, then smiled slightly, leaning against her husband for a moment before pushing him away and stepping over to examine the fallen sculpture. âI mean, itâs not all right ,â she amended, poking a chunk of clay with a bare toe. âItâs pretty much trashed. I should have guessed something like this would happen. Things have been going a little too well lately, what with landing this big solo show and all. . . .â
Ninaâs father chuckled. âUh-oh,â he said. âDonât tell me my family is finally rubbing off on you, Eva? I thought your Yankee sensibility would never succumb to Big Easy superstition.â
Despite what had just happened, Nina couldnât help smiling at that. Her fatherâs family had lived in New Orleans pretty much foreverâor at least since the time of the Louisiana Purchase. While his family and Delphineâs both considered themselves Creoles, most of Ninaâs fatherâs ancestors had come from Africa or the West Indies rather than France or Spain, and theyâd brought their own beliefs and ideas with them. For generations, the family had steeped in the great melting pot of New Orleans culture, with its mishmash of traditions, including plenty of superstition and voodoo. By now, of course, most of the