many Renoirs, the most predictable Manet in existence, something that looked like a lesser Picasso but was probably a Braque. There was also, however, a work she admired: Caravaggioâs rendering of Bacchus, his ruddy face and sunburned hands those of a cheerful outdoorsman, a torpor in his heavy-lidded stare that seemed both inept and threatening all at once.
âThe god of wine,â the biologist explained.
âI know.â She looked down and straightened her blanket.
âCaravaggio.â
âI know.â
âA great artist, but an unpleasant man. Nervous, temperamental, violent. Kept bad company.â
âI know.â
âArt, then. Do you practice? Or do you just preach?â
She made fists, the blanket bunching between her fingers. âNeither.â
âDonât lie.â
âHow dareââ
âBeg pardon.â A voice from the doorway.
The biologist swiveled around and beckoned the interloper forward. She recognized this young man, but just barely: his hive of red hair, his stout limbs and blocky posture. He had been there postfall, amid the confusion and fear, but she couldnât remember what role he had played or if he had been as nervous as he was right now. His hands trembled as he approached the bed and offered her the cup. She took it, drank, and passed it back without comment.
âThank you, Arthur,â the biologist said. âSheâs quite grateful.â
âIs there anything else?â Arthur murmured.
âYouâre sure you donât want that beer?â the biologist asked her.
âIâm sure.â
âHow about some oil? From a basking shark liver?â
âFrom a what?â
âArthur. The oil, please.â
âNo, Iâ,â she insisted.
âArthur, thereâs a fresh box down in the garage.â
âThereâs a fresher one at the market. I delivered it yesterday. Iâll go back andââ
âI said no!â she barked.
The two men froze, eyes wide. The biologist cocked his head in the direction of the door. Arthur scurried out of it. Margot clenched her calf muscles until they cramped.
âSounds strange, doesnât it?â The biologistâs words were coming much slower now, and with a new undertone of caution. âBut itâs known in the East for its general tonic properties, especially for allergies and arthritis. Itâs chock-full of something akin to cortin, a substance used to keep cats alive after theyâve been adrenalectomized. Also something of an aphrodisiac, if Johnâs Hollywood friends are to be believed.â
âKeep treating your son like that and heâll revolt.â
When he threw back his head and laughed, a strip of white skin flashed beneath the border of his beard.
âOh, is that whatâs got you so worked up? Arthurâs not my son, Iâm afraid, not at all. Heâs an orphan of the classic type, dust bowl and whatnot, plucked straight from the pages of Johnâs book. Came to town to make a living in the canneries but seems to spend most of his time here in the lab. Fixing the Buick, catching the cats, being generally underfoot.â
She considered the Caravaggio again. Its initial appeal had faded a bit, its cheeks and lips now bordering on the feminine. Escape was pointless. Pointless then, pointless now.
âFunny,â he said. âI think Iâve forgotten your name.â
âMargot.â
âYouâre French.â
âAnd Swedish.â
âAh, yes. Form and function, all in one.â
Her legs went stiff again, causing the blanket above them to shiver.
âWhy donât you explain it, then?â he continued. âTell me how wrong I am.â
âIâm in business with my father. Or at least I used to be.â
âThey say heâs got the sardine game in his sights. I hope he isnât too upset when he finds out most of them are already in
Tim Lahaye, Jerry B. Jenkins