mean, he is a movie star, but right now he looks like something out of a movie, and he winks and says, âI donât travel so well.â I laugh, and he holds his hand out and takes mine. âTommy. And youâre Stacey.â Heâs still holding my hand, not so much shaking it as just holding it, and I really, really hope Iâm not blushing.
âI loved your book, by the way. Obviously, or we wouldnât be here. But really, itâs beautiful. Awful, but beautiful. And it really challengesthe whole idea of what monstrous is. What makes a monster? And who or what is responsible? Or are we all? Itâs just great. I loved it.â
âWow.â I hate it when I donât know what to say. I mean, Iâm a writer. I should be good with words, and instead Iâm like,
Wow
. âIâm flattered. I didnât realize many people had bothered to read it, much less get that much out of it, so thatâs really generous of you.â
âOh, a lot more people will read it now. Once the publicity machine starts rolling for the movie, people will get interested in the book. Your sales should pick up quite a bit.â
Daniel reappears with the espressos and sets one down in front of me. âHere you go, sweetie.â He looks at Tommy. âAnd you, fucking degenerate.â
âI should fire you. I swear to god, man.â He takes a sip of the espresso. âThat is good though. Really good.â He closes his eyes, leans his head back, and rubs his jaw. âItâs bright out. You have my glasses?â Daniel pulls a leather case out of his bag and hands the dark glasses to Tommy, who puts them on over his closed eyes. âJesus, I could die. Do we have anything to eat?â He gives my leg the little apology pat again. âSorry. Iâm not usually this bad.â
Danielâs already on his way to the kitchen, but he calls back over his shoulder, âItâs true. Heâs usually worse.â
â¢Â   â¢Â   â¢
The script is much, much worse than not very good. Weâre sitting on the terrace, and Iâm thumbing through the hard copy in my lap. Iâm the only one still reading, though Iâm not reading so much as stalling. Iâm not sure where to start. âI think one problem is that youâve sort of taken the poems and turned them into dialogue. I mean, youâve plucked out all the good lines and given them to different characters.â
Joe nods. âObviously, weâll have to add to it.â He looks older than me, which probably means weâre the same age, mid-thirties. Iâm always surprised by my own age. Sometimes I feel older, sometimes younger. I never feel right.
I glance at Tommy. Heâs stretched back on the couch next to me. He has his head tipped back, his glasses on. I mean, he could be asleep.
Alan is definitely not asleep. Heâs watching everyone. Iâm not sure how this all works, if he works for Tommy, if Tommy works for him. I do know that I donât want to piss either of them off, but I donât want to let them break my book either.
âRight. But itâs more than that. I mean, this basically reads like kind of a typical Frankenstein movie,â I say, holding up the script.
âYour book is Frankenstein,â Joe says. âKinky Frankenstein with this Frederick psycho building himself a girl.â
Tommy makes this grunting laugh. I guess he is awake.
âOkay, but this isnât based on the movies. This is based on the book, the whole nature-of-man discussion?â
Joe looks at me blankly.
I feel myself slowing down, pausing between words, waiting for some recognition to show on his face. âSo, where Frankensteinâs creature has a fully human soul in a physically corrupted form, my monster has a beautiful exterior, but sheâs evil.â
âI thought the monster was always bad?â Joe looks at Alan and