she thought.
She struggled up again, and again was knocked down, this time as the van swung left and braked. The driver’s door opened and light flooded in, and she heard a shout, and the doors opened on the side of the truck, and Grace came headlong through the opening, landing on Genevieve, her white dress stained the same rusty red as the truck.
The doors slammed again; and the van roared out of the parking lot.
Andi got to her knees, arms flailing, trying to make sense of it: Grace screaming, Genevieve wailing, the red stuff all over them.
And she knew from the smell and taste of it that she was bleeding. She turned and saw the bulk of the man in the driver’s seat behind a chain-link mesh. She shouted at him, “Stop, stop it. Stop it,” but the driver paid no attention, took a corner, took another.
“Momma, I’m hurt,” Genevieve said. Andi turned back to her daughters, who were on their hands and knees. Grace had a sad, hound-dog look on her face; she’d known this man would come for her someday.
Andi looked at the van doors, for a way out, but metal plates had been screwed over the spot where the handles must’ve been. She rolled back and kicked at the door with all her strength, but the door wouldn’t budge. She kicked again, and again, her long legs lashing out. Then Grace kicked and Genevieve kicked and nothing moved, and Genevieve began screeching, screeching. Andi kicked until she felt faint from the effort, and she said to Grace, panting, three or four times, “We’ve got to get out, we’ve got to get out, get out, get out…”
And the man in the front seat began to laugh, a loud, carnival-ride laughter that rolled over Genevieve’s screams; the laughter eventually silenced them and they saw his eyes in the rearview mirror and he said, “You won’t get out. I made sure of that. I know all about doors without handles.”
That was the first time they’d heard his voice, and the girls shrank back from it. Andi swayed to her feet, crouched under the low roof, realized that she’d lost her shoes—and her purse. Her purse was there on the passenger seat, in front. How had it gotten there? She tried to steady herself by clinging to the mesh screen, and kicked at the side window. Her heel connected and the glass cracked.
The van swerved to the side, braking, and the man in front turned, violent anger in his voice, and held up a black .45 and said, “You break my fuckin’ window and I’ll kill the fuckin’ kids.”
She could only see the side of his face, but suddenly thought: I know him. But he looks different. From where? Where? Andi sank back to the floor of the van and the man in front turned back to the wheel and then pulled away from the curb, muttering, “Break my fuckin’ window? Break my fuckin’ window?”
“Who are you?” Andi asked.
That seemed to make him even angrier. Who was he? “John,” he said harshly.
“John who? What do you want?”
John Who? John the Fuck Who? “You know John the Fuck Who.”
Grace was bleeding from her nose, her eyes wild; Genevieve was huddled in the corner, and Andi said again, helplessly, “John who?”
He looked over his shoulder, a spark of hate in his eyes, reached up and pulled a blond wig off his head.
Andi, a half-second later, said, “Oh, no. No. Not John Mail.”
2
T HE RAIN WAS cold, but more of an irritant than a hazard. If it had come two months later, it would’ve been a killer blizzard, and they’d be wading shin-deep in snow and ice. Marcy Sherrill had done that often enough and didn’t like it: you got weird, ugly phenomena like blood-bergs, or worse. Rain, no matter how cold, tended to clean things up. Sherrill looked up at the night sky and thought, small blessings.
Sherrill stood in the headlights of the crime-scene truck, her hands in her raincoat pockets, looking at the feet of the man on the ground. The feet were sticking out from under the rear door of a creme-colored Lexus with real leather seats.
Victor Milan, Clayton Emery
Jeaniene Frost, Cathy Maxwell, Tracy Anne Warren, Sophia Nash, Elaine Fox