of the Alta Vista. Thereâs somebody ahead of me, an elderly woman in a pale, thin gown. âThey give me tumblers of bourbon or they drug me,â she says into the receiver. âUm-hmm. Or Iâm shot up with something, a truth serum sometimes. There might be a group of us strapped to one of those circular laundry lines and weâre forced to march round and round, like donkeys bringing up water from a well. Weâre to walk until somebody slips. Darling, somebody always slips. Some of us have already slipped and are on crutches, some of us have lost our minds. There are nooses around our necks. Nooses rigged with razor blades.â
She hangs up the phone, walks blithely past me. Maybe my father is right about this place.
âCan I do something? Help you back to your room?â I offer.
âDarling, Iâm fine.â
I fumble through the phone bookâIâve got to look up old friends, somebody , Iâve got to talk to somebody other than the residents at the Alta Vista. Maggie Devoeâno listing. Of course, sheâs probably married now, might have taken her husbandâs name. Technically, she is a cousin of mine, the relationship so distant it went unacknowledged by both our families. I picture Maggieâs face, sarcastic, smirkingâa face twenty years younger. I have no idea what she looks like now but I keep picturing cutoffs, T-shirt, hoop earrings. What we wore in high school. Thumbs out, hitchhiking to or from our latest adventure; squished smokes in our back pockets.
I could call Maggieâs parents, still listed on Lorraine, I see, but I wonât. Anymore than sheâd call my father.
I move on to old boyfriends. Gregg, the one I most want to call. To see, to sleep with. A voice in me says: call him, quick, before you get any bigger. Call him before you chicken out. Call him. Call him.
Feeding quarters into the pay phone, I try number after number; the one listed in the phone book leads to another and another. (âThat number has been changed. Please make a note of it,â says a recorded female voice that ever so slightly hinges on irritation.)
This is what desperate women do when theyâre drunk and itâs late at nightâthey call old boyfriends.
Only I donât have the excuse of drunkenness, just plain old loneliness. As I dial the last number, pigeons coo in the palm trees overhead, not like the racket they make during the day. Greggâs phone rings. Panic: what if heâs married? Surely he is by now, even Gregg. The phone rings and rings and Iâm about to hang up gladly, when I get a machine.
Itâs his voice, music in the background. âGregg?â (My voice comes out like a squeak.) âThis is Theo. Iâm in town.â A pause. Help, Iâm pausing too longâwhat if he picks up? Or his wife does? âUm, Iâll call back. Thereâs no phone where Iâm staying. Ciao.â
Ciao . I never say that. An attempt at sounding continental? Iâll call again tomorrow. Iâll never call again. If I see him, another part of me is planning already, get rid of the wedding band. Or maybe I should leave it on as a challenge. Or a deterrent.
I dial my brotherâs number.
âThis is Corb,â he answers.
âWhy do you always answer the phone like that?â I say. âDonât you realize how off-putting it is? Why donât you just say âhelloâ?â
âDad told me youâre in town.â
âDid he tell you why?â
âYes.â He sighs. âIâm sorry, Theo.â
My turn to say something. I canât.
âI hear youâre staying at a residence hotel. Dadâs all caught up about that too, never mind why youâre here. âSheâs staying at the Alta Vista!â he said. He wanted me to offer you a place to stay.â
âSo offer.â
âWould you like to stay here?â
I think of nooses rigged with razor
Katherine Garbera - Baby Business 03 - For Her Son's Sake