California coast. Others were Monterey-style bungalows with white clapboard or shingle-covered walls, cedar-shingled roofs, and rich—if fairy-tale rococo—architectural details. Since Moonlight Cove had enjoyed much of its growth in the past ten years, a large number of houses were sleek, modern, many-windowed structures that looked like ships tossed up on some unimaginably high tide, stranded now on these hillsides above the sea.
When Sam followed Ocean Avenue into the six-block-long commercial district, a peculiar sense of wrongness immediately overcame him. Shops, restaurants, taverns, a market, two churches, the town library, a movie theater, and other unremarkable establishments lined the main drag, which sloped down toward the ocean, but to Sam's eyes there was an indefinable though powerful strangeness about the community that gave him a chill.
He could not identify the reasons for his instant negative reaction to the place, though perhaps it was related to the somber interplay of light and shadow. At this dying end of the autumn day, in the cheerless sunlight, the gray stone Catholic church looked like an alien edifice of steel, erected for no human purpose. A white stucco liquor store gleamed as if built from time-bleached bones. Many shop windows were cataracted with ice-white reflections of the sun as it sought the horizon, as if painted to conceal the activities of those who worked beyond them. The shadows cast by the buildings, by the pines and cypress, were stark, spiky, razor-edged.
Sam braked at a stoplight at the third intersection, halfway through the commercial district. With no traffic behind him, he paused to study the people on the sidewalks. Not many were in sight, eight or ten, and they also struck him as wrong, though his reasons for thinking ill of them were less definable than those that fanned his impression of the town itself. They walked briskly, purposefully, heads up, with a peculiar air of urgency that seemed unsuited to a lazy, seaside community of only three thousand souls.
He sighed and continued down Ocean Avenue, telling himself that his imagination was running wild. Moonlight Cove and the people in it probably would not have seemed the least unusual if he had just been passing by on a long trip and turned off the coast highway only to have dinner at a local restaurant. Instead, he had arrived with the knowledge that something was rotten there, so of course he saw ominous signs in a perfectly innocent scene.
At least that was what he told himself. But he knew better.
He had come to Moonlight Cove because people had died there, because the official explanations for their deaths were suspicious, and he had a hunch that the truth, once uncovered, would be unusually disturbing. Over the years he had learned to trust his hunches; that trust had kept him alive.
He parked the rented Ford in front of a gift shop.
To the west, at the far end of a slate-gray sea, the anemic sun sank through a sky that was slowly turning muddy red. Serpentine tendrils of fog began to rise off the choppy water.
3
In the pantry off the kitchen, sitting on the floor with her back against a shelf of canned goods, Chrissie Foster looked at her watch. In the harsh light of the single bare bulb in the ceiling socket, she saw that she had been locked in that small, windowless chamber for nearly nine hours. She had received the wristwatch on her eleventh birthday, more than four months ago, and she had been thrilled by it because it was not a kid's watch with cartoon characters on the face; it was delicate, ladylike, goldplated, with roman numerals instead of digits, a real Timex like her mother wore. Studying it, Chrissie was overcome by sadness. The watch represented a time of happiness and family togetherness that was lost forever.
Besides feeling sad, lonely, and a little restless from hours of captivity, she was scared. Of course, she was not as scared as she had been that morning, when her father had