silent.
Itâs too late: the word is out, and the boy with the bleached corn hair is smirking, amusement in his eyes. âMe,â he says. âYou think youâre the only one who ever wished she knew where the monsters were? Come on, Blondie. I wonât hurt you. But I might lead you to your heartâs desire.â
The computerâs secrets have been spilled out on the floor like pearls, or teeth. There is nothing left to learn here, and the night is young. Babette rises like a wisp of smoke, too graceful for the gawky thing she seems to be, and inclines her head toward the boy who dared to speak to her. âYes,â she says. âTake me to Midian.â
*Â Â Â *Â Â Â *
Once, Midian. Once, safety and security and home in the deep warrens and the living earth. Babette knows she is not walking backward through timeâknows it better than any other member of the tribe. She has seen Cabal since the destruction of their sanctuary, seen him scouring the edges of the world looking for safe haven. She knows to the bones of her that whatever she walks toward, it canât be home. But Babette, for all her cold-blooded strangeness, is a teenage girl, and teenage girls are vulnerable to dreaming.
She follows Matt through the alleys behind the library like a rat following a piper, her girl-skin drawn tight around her bones, hiding her second face from view. Matt moves almost as quickly as one of the Nightbreed, skipping from one side of the alley to the other, his strong boyâs bones moving in his lanky boyâs limbs. The smell of him is everywhere, blood and flesh and sweetness. She isnât the hungriest member of the tribeâcan be sated on cat flesh and rat flesh more often than notâbut she still wishes he would move a little more like a predator, and a little less like prey.
After they have walked too far for her liking and not far enough for her to feel safely distant from her kin, Matt stops. âHere we are,â he says, waving a hand to indicate a rusty door set into the hard brick of a nearby wall. âMidian.â
Babette frowns, searching his face for the joke she knows must be hidden there. No joke reveals itself. She looks to the rusted door, and passes judgment: âThis is not Midian.â
âIt is if you want it to be. Midian isnât a place, Blondie; itâs a state of mind. Places can be destroyed, but ideas are harder to kill.â He moves to the door and knocks twice, calling, âItâs me! Let me in; I brought new blood.â
âWhatâs the password?â demands a voice from beyond the door.
âMidian lives,â says Matt. Heâs trying to sound old and wise and eerie. He sounds like a child playing at things he doesnât understand.
I should go , thinks Babette. Go now, while this farce is still unplayed, while she still has a chance to slip away unnoticedâbut curiosity is a strong thing, and she wants to know what lies behind that door. So she stays where she is, stays as she is, as it swings open to reveal a teenage girl in too much makeup and a black lace dress two sizes too small for her.
âWelcome to Midian,â says the girl. âDo you fear monsters?â
Here is a question Babette can answer honestly. âOnly the human ones,â she says.
The girl looks disapproving. âThis is not a place for pretenders or people looking for a scare. Do you come to Midian freely and with an open mind?â
âI have always been coming to Midian,â says Babette. âMidian is where the monsters go.â
âSee, Danni? Sheâs one of us,â says Matt. âLet us in.â
The girl he calls Danni rolls her eyes and steps to the side, holding the door open as she does. âWelcome to Midian,â she says. âEnter freely and be unafraid.â
There are so many things Babette wants to tell her: wants to tell her that when one enters Midian, one should
Brian Herbert, Kevin J. Anderson