«Forme della letteratura, immagini del mondo: da Catullo a Ovidio», en Storia di Roma II: L’Impero Mediterraneo , Turin, 1990, págs. 923-965.
—, «Storie di instabilità: l’episodio di Ermafrodito nelle Metamorfosi di Ovidio», Materiali e Discussioni 30 (1993), págs. 49-62.
G. L AFAYE , Les Métamorphoses d’Ovide et leurs modèles grecs, Hildesheim, 1971 (= Paris, 1904).
E. W. L EACH , «Ekphrasis and the theme of artistic failure in Ovid’s Metamorphoses», Ramus 3 (1974), págs. 102-142.
M. R. L IDA DE M ALKIEL , La tradición clásica en España , Barcelona, 1975.
D. A. L ITTLE , «The speech of Pythagoras in Metamorphoses 15 and the Structure of the Metamorphoses», Hermes 98 (1970), págs. 340-360.
—, «The Non-Augustanism of Ovid’s Metamorphoses», Mnemosyne 25 (1972), págs. 389-401.
—, «Non-Parody in Metamorphoses 15», Prudentia 6 (1974), págs. 17-21.
G. L IVELEY , «Reading resistance in Ovid’s Metamorphoses », en P H . H ARDIE , A. B ARCHIESI , S. H INDS (eds.), Ovidian Transformations. Essays on Ovid Metamorphoses and its Reception , Cambridge, 1999, págs. 199-215.
N. L LEWELLYN , «Illustrating Ovid», en C H . M ARTINDALE (ed.), Ovid Renewed , Cambridge, 1988, págs. 151-166.
G. L UCK , «Zum Prooemium von Ovids Metamorphosen», Hermes 86 (1958), págs. 499-500.
—, «Reseña a la edición de R. J. Tarrant, P. Ovidi Nasonis Metamorphoses , Oxford, 2004», Exemplaria Classica 9 (2005), págs. 249-271.
W. L UDWIG , Struktur und Einheit der «Metamorphosen» Ovids, Berlín, 1965.
R. O. A. M. L YNE , «Ovid’s Metamorphoses , Callimachus and l’art pour l’art», Materiali e Discussioni 12 (1985), págs. 934.
K. N. M AC F ARLANE , Isidore of Seville on the Pagan Gods (origines VIII. 11), Filadelfia, 1980.
S. M ACK , Ovid , New Haven, 1988.
E. M ARTINI , Einleitung zu Ovid, Viena, 1933.
A. M ICHALOPOULOS , Ancient Etymologies in Ovid’s Metamorphoses: a Commented Lexicon, Leeds, 2001.
P. A. M ILLER , «The Parodie Sublime: Ovid’s Reception of Virgil in Heroides 1», Materiali e Discussioni 52 (2004), págs. 57-72.
F. M UNARI , Catalogue of the Manuscripts of Ovid’s Metamorphoses. Bulletin of the Institute of Classical Studies , Suplemento 4, Londres, 1957.
—, Ovid im Mittelalter , Zurich - Stuttgart, 1960.
C H . M URGIA , «Ovid Met . I. 544-547 and the theory of double recension», Classical Antiquity 3 (1984), págs. 207-235.
K. S. M YERS , Ovid’s Causes. Cosmogony and Aetiology in the Metamorphoses, Ann Arbor, 1994.
—, «The Metamorphosis of a Poet: Recent Work on Ovid», Journal of Roman Studies 89 (1999), págs. 190-204.
B. R. N AGLE , «A Trio of Love-Triangles in Ovid’s Metamorphoses», Arethusa 21 (1988), págs. 75-98.
—, «Two Miniature Carmina Perpetua in the Metamorphoses : Calliope and Orpheus», Grazer Beiträge 15 (1988), págs. 99-125.
—, «Ovid’s Metamorphoses ’. A Narratological Catalogue», Syllecta Classica 1 (1989), págs. 97-138.
W. S. M. N ICOLL , «Cupid, Apollo, and Daphne (Ovid Met . 452ss.)», Classical Quarterly 30 (1980), págs. 174-182.
J. J. O’H ARA , True names: Vergil and the Alexandrinian Tradition of Etymological Wordplay, Ann Arbor, 1996.
—, «Vergil’s best reader? Ovidian commentary on Vergilian etymological wordplay», Classical Journal 91 (1996), págs. 255-276.
B. O TIS , Ovid as an Epic Poet, Cambridge, 1966.
H. P ARRY , «Ovid’s Metamorphoses: Violence in a Pastoral Landscape», Transactions and Proceedings of the American Philological Association 95 (1964), págs. 268-282.
G. P ASQUALI , Storia de la tradizione e critica del testo, Florencia, 1952.
B. P AVLOCK , Eros, Imitation and the Epic tradition, Ithaca, Londres, 1990.
A. P ERUTELLI , La narrazione commentata. Studi sull’epilio latino, Pisa, 1979.
E. P IANEZZOLA , «La metamorfosi ovidiana come metafora narrativa», Quaderni del circolo linguistico padovano 10 (1979), pägs. 77-91.
—, «Ovidio: dalla figura retorica al
—, «Storie di instabilità: l’episodio di Ermafrodito nelle Metamorfosi di Ovidio», Materiali e Discussioni 30 (1993), págs. 49-62.
G. L AFAYE , Les Métamorphoses d’Ovide et leurs modèles grecs, Hildesheim, 1971 (= Paris, 1904).
E. W. L EACH , «Ekphrasis and the theme of artistic failure in Ovid’s Metamorphoses», Ramus 3 (1974), págs. 102-142.
M. R. L IDA DE M ALKIEL , La tradición clásica en España , Barcelona, 1975.
D. A. L ITTLE , «The speech of Pythagoras in Metamorphoses 15 and the Structure of the Metamorphoses», Hermes 98 (1970), págs. 340-360.
—, «The Non-Augustanism of Ovid’s Metamorphoses», Mnemosyne 25 (1972), págs. 389-401.
—, «Non-Parody in Metamorphoses 15», Prudentia 6 (1974), págs. 17-21.
G. L IVELEY , «Reading resistance in Ovid’s Metamorphoses », en P H . H ARDIE , A. B ARCHIESI , S. H INDS (eds.), Ovidian Transformations. Essays on Ovid Metamorphoses and its Reception , Cambridge, 1999, págs. 199-215.
N. L LEWELLYN , «Illustrating Ovid», en C H . M ARTINDALE (ed.), Ovid Renewed , Cambridge, 1988, págs. 151-166.
G. L UCK , «Zum Prooemium von Ovids Metamorphosen», Hermes 86 (1958), págs. 499-500.
—, «Reseña a la edición de R. J. Tarrant, P. Ovidi Nasonis Metamorphoses , Oxford, 2004», Exemplaria Classica 9 (2005), págs. 249-271.
W. L UDWIG , Struktur und Einheit der «Metamorphosen» Ovids, Berlín, 1965.
R. O. A. M. L YNE , «Ovid’s Metamorphoses , Callimachus and l’art pour l’art», Materiali e Discussioni 12 (1985), págs. 934.
K. N. M AC F ARLANE , Isidore of Seville on the Pagan Gods (origines VIII. 11), Filadelfia, 1980.
S. M ACK , Ovid , New Haven, 1988.
E. M ARTINI , Einleitung zu Ovid, Viena, 1933.
A. M ICHALOPOULOS , Ancient Etymologies in Ovid’s Metamorphoses: a Commented Lexicon, Leeds, 2001.
P. A. M ILLER , «The Parodie Sublime: Ovid’s Reception of Virgil in Heroides 1», Materiali e Discussioni 52 (2004), págs. 57-72.
F. M UNARI , Catalogue of the Manuscripts of Ovid’s Metamorphoses. Bulletin of the Institute of Classical Studies , Suplemento 4, Londres, 1957.
—, Ovid im Mittelalter , Zurich - Stuttgart, 1960.
C H . M URGIA , «Ovid Met . I. 544-547 and the theory of double recension», Classical Antiquity 3 (1984), págs. 207-235.
K. S. M YERS , Ovid’s Causes. Cosmogony and Aetiology in the Metamorphoses, Ann Arbor, 1994.
—, «The Metamorphosis of a Poet: Recent Work on Ovid», Journal of Roman Studies 89 (1999), págs. 190-204.
B. R. N AGLE , «A Trio of Love-Triangles in Ovid’s Metamorphoses», Arethusa 21 (1988), págs. 75-98.
—, «Two Miniature Carmina Perpetua in the Metamorphoses : Calliope and Orpheus», Grazer Beiträge 15 (1988), págs. 99-125.
—, «Ovid’s Metamorphoses ’. A Narratological Catalogue», Syllecta Classica 1 (1989), págs. 97-138.
W. S. M. N ICOLL , «Cupid, Apollo, and Daphne (Ovid Met . 452ss.)», Classical Quarterly 30 (1980), págs. 174-182.
J. J. O’H ARA , True names: Vergil and the Alexandrinian Tradition of Etymological Wordplay, Ann Arbor, 1996.
—, «Vergil’s best reader? Ovidian commentary on Vergilian etymological wordplay», Classical Journal 91 (1996), págs. 255-276.
B. O TIS , Ovid as an Epic Poet, Cambridge, 1966.
H. P ARRY , «Ovid’s Metamorphoses: Violence in a Pastoral Landscape», Transactions and Proceedings of the American Philological Association 95 (1964), págs. 268-282.
G. P ASQUALI , Storia de la tradizione e critica del testo, Florencia, 1952.
B. P AVLOCK , Eros, Imitation and the Epic tradition, Ithaca, Londres, 1990.
A. P ERUTELLI , La narrazione commentata. Studi sull’epilio latino, Pisa, 1979.
E. P IANEZZOLA , «La metamorfosi ovidiana come metafora narrativa», Quaderni del circolo linguistico padovano 10 (1979), pägs. 77-91.
—, «Ovidio: dalla figura retorica al
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