have heard of them. They wrote a series of travel memoirs/coffee table books called The Wandering Porters Do …and then fill in the blank with the exotic locale of your choice, somewhere like Morocco or Tuscany. My mom took the pictures, and my dad wrote the text, except for the occasional footnote by Mom. Her footnotes were usually something mortifying, like “2. At an Edam cheese factory, Naomi vomited in an enormous wooden clog.” Or “7. Naomi was particularly fond of the schnitzel.” As for my contribution, I made a series of increasingly awkward appearances in their author photo on the back jacket flap above the caption “When not wandering, Cassandra Miles-Porter and Grant Porter live in New York with their daughter, Naomi.”
That’s what popped into my head when Dad said they were divorced—all those Wandering Porter books and me as a kid on the back flap. In a strange way, I didn’t feel like their divorce was happening to me, certainly not the “me” in that moment, the person lying in the hospital bed. It was happening to that little girl on the book jackets. I felt sad for her, but nothing yet for myself.
“Did it just happen?” I asked.
“Did what just happen?”
“The divorce.”
“It’s been two years, eleven months, but we’ve been separated close to four years now,” Dad said. Something in his tone told me he probably knew the precise number of days, too. Maybe even minutes and seconds. Dad was like that. “The doctors, they said you weren’t sure of the year before, but…Well, do you think this is part of the same thing?”
I didn’t answer him. For the first time, I allowed for the possibility that I had forgotten everything from the last four years.
I tried to remember the last thing I could remember. This turns out to be an incredibly difficult task because your brain is constantly making new memories. What came to mind was uselessly recent: my blood on James’s collar.
I decided to make a more specific request of my brain. I tried to remember the last thing I could about my mother. What came to me was her “Sign of the Times” show, which was an exhibition of her photographs at a Brooklyn gallery. She picked me up on the last day of sixth grade, so that she could give me a private showing before anyone else got there. The show had consisted of her pictures of signs from around the country and the world: street, traffic, restaurant, township, movie theater, bathroom, signs that were painted over but you could still make them out, signs handmade by homeless people or hitchhikers, etc. Mom had this theory that you could tell everything about people (and civilization in general) from the kinds of signs they put up. For example, one of her favorite pictures was of a mostly rusted sign in front of a house somewhere in the backwoods. The sign read NO DOGS NEGROS MEXICANS . She said that, regardless of the rust, it had communicated to her clear as anything “to take the picture quick and get the hell out of town.” Most of her exhibit was more boring than that, though. As we were leaving, I told her I was proud of her because that’s what my parents always said to me whenever they came to see a dance recital or attended a school open house. Mom replied that she was “proud of herself, too.” I could remember her smiling just before she started to cry.
“So is Mom on her way, then?” I asked Dad.
“I didn’t think you’d want her here.”
I told him that she was my mother, so of course I wanted her.
“The thing is”—Dad cleared his throat before continuing—“I have called her, but since you haven’t really spoken to each other for a while, it didn’t seem right that she come.” Dad furrowed his brow. I noticed that he had less hair on his head than my brain was telling me he ought to have. “Do you want me to call her back?”
I did. I longed for Mom in the most primitive way, but I didn’t want to seem like a baby or not like myself, whatever that