family?
Just that once. So, you tell me when, all right?
You’re not sitting on my lap.
I can do it from over here.
Shift, I said. And so we drove the eight miles back to Bard, me calling the shifts over the labouring engine, and Martin trying to get the gear into the right position, until we were on campus and he jammed it in reverse as I was trying to get him to gear down. I heard something big and metallic drop down and smack the road and the car leap-frogged over it and we both flew out of our seats and hit our heads on the roof. The car came to rest in some grass. We sat there panting as people I knew gathered around.
Well, this is Martin Sloane, I told them, getting out. He’s going to have a show at the Blithewood. Martin was still sitting in the passenger seat, looking at his palms, dazed.
My friends helped him out, introduced themselves; some of them knew he was coming, knew how hard I’d worked to get him to town. Then everyone took a box and we all crossed the field to the gallery, the glass fronts catching and reflecting the light at odd angles so the little crowd looked like a broken mirror spreading across the green. Martin glanced back at me and laughed.
You having fun now? I said.
You think we’ll see any of those again?
You obviously don’t care.
He made an Oliver Hardy face and shrugged, then got in step with me and linked his arm in mine. I like your friends, he said.
I tightened my arm, my heart whacking against my ribs, and I pulled him against my side. I like you.
But I crashed your car.
That you did.
Bard College was close enough to my hometown of Ovid but far enough away that no one from there could walk to it in half a day. The campus was a pastoral green hidden in the woods. Grassy patches, whitewashed buildings, a chapel in the trees. Towering maples clenched in brilliant vermilion down the main drives. The big athletic field with its unmown edges reeking of springtime through the summer and fall.
I’d been assigned one of the smaller dorms at the edge of the playing field, more a cabin than a dorm, with an angled rooftop and a jumble of windows, called Obreshkove House. I was on the second floor, with a window pointing out to the forest, where I sometimes saw deer in the gloaming. Molly Hudson was my suitemate; she’d arrived on the first day of school while I was out registering for classes. She liked me, she later explained, on the evidence of my bookshelf, and alphabetized her own books in with mine, a gesture that touched me.
She was well prepared for college, and determined from the start to run our social lives with ruthless efficiency. I’ve bought us a little fridge, she announced on the day we met, in case we want to have cocktails with the friends we’re going to make. She opened the door to the fridge to reveal four cocktail glasses frosting underneath the ice-element, and beneath them a loaf of bread, a small bottle of mayonnaise, and a single packet of corned beef. For anyone who comes over peckish, she said.
I stood in the doorway, looking suspiciously on her good sheets and her fabric-wrapped clothes hangers. How old are you, Molly?
Nineteen, she said. Today. Just squeaked into the class of ’88.
She had no doubt that she was already the centre of a coterie that didn’t exist yet. Coming from a grief-darkened house (since the death of my mother, almost ten years earlier, my father had remained in a state of evergreen loss), I suddenly realized that a bright room on the edge of a forest was the perfect coming-out for me — a gradual emergence from sadness into a new life, fronted by one of the daughters of Syracuse. Molly was enrolled in a general arts program, but her father — an important attorney in that city — had made her promise to declare law as her major by the end of her sophomore year. They’d shaken on it, a “gentleperson’s agreement,” she put it, and one she was to keep.
I stood back in a kind of awe as I watched Molly adapt to the
Dani Evans, Okay Creations