an extra fifty bucks.
You say weâre gonna have a better life.
Buy me a diamond ring and you a big Ford truck.
As the song builds to the chorus, the energy of the crowd gets me going, and I stomp out the rhythm with the heel of my boot.
Ooo, let me be your Country Princess.
Plain and beautiful, thatâs what life is . . .
Merry-go-rounds and Christmas lights . . .
Rocking through the chorus and into the second verse, I relax a little, bravely peeking at the crowd beyond the first row. Theyâre clapping and swaying, and when I loop back into the chorus, a choir of female voices raises the rafters.
Ooo, let me be your Country Princess . . .
A banjo starts plucking, and Paul Whitestone saunters up beside me. Next, a fiddle whines as Granddaddy Lukeman walks my way, his blue eyes snapping as he does a little Pa Ingalls jig. Behind him, Jeeter comes out with his steel guitar, and the triplets, fully recovered, stomp and swirl across the stage.
We let the music go a round without the words, the players circling and leaning together. My heart soars with the music, rising above the thousand pairs of eyes watching.
Now this I could do the rest of my life.
2
âYou did it, Robbie!â Daddy picks me up and swirls me around. âIâm so proud of you.â
Ricky Holden, my man of six months, tucks his arm around my waist and kisses me on the cheek. âHowâs it feel?â
âI did it for the triplets. But . . .â I grin. âIt feels great.â I hope he doesnât think âCountry Princessâ is about him. Because itâs not. Really, itâs not.
Mommaâs off to my right, pressing her lips into a straight line. âThe Lord knows Robin donât need encouragement to waste time playing music.â She clucks and fluffs like a mad hen.
âSimmer down, Bit,â Daddy says, his big hand resting gently on her shoulder.
I glance up at Ricky. Heâs seen Momma, on a few occasions, aflame with moral and/or social injustice, but this is his first opportunity to see steam coming out of her ears.
âTen minutes in the Hall donât make you a star, Robin Rae.â She steams all over me.
âWhat? Who saidââ
âWeâre going home, Bit.â Daddy gently takes Momma by the arm, an indication her last comment was his last straw. ââNight, Robin. âNight, Ricky.â
ââNight, Daddy.â I watch them go.
âHey, do you want to grab a bite before the diner closes?â Ricky weaves his fingers through mine. Innocent as it is, it makes me feel like a possession. But I donât pull away.
âNot tonight. We have to work early.â I tug on his hand. âSo, did I really do okay?â
He shrugs. âYeah, you were all right.â
âJust all right?â I shuffle around him in a little Cowgirl Boogie âN Strut.
He grins. âMaybe even pretty good. Didnât know you had it in you.â
âMe, neither. But, I did it for the triplets.â I peel my hand away from his. âBetter get my guitar.â
He follows me to where I left my guitar by the stage curtain. âWhatâs with your momma and you singing?â
âI have no idea.â I glance out to the emptying auditorium. âSheâs acted funny about me and music ever since Granddaddy Lukeman gave me a guitar for my tenth birthday. Momma exploded like Mount St. Helens, spewing and spitting, changing the whole atmosphere of the room. Me and five other ten-year-olds ran for cover under the trampoline.â
Ricky laughs. âSweet Bit, exploding? â
âSweet Bit, nothing. You saw a little of Sour Bit just now, and believe me, thereâs plenty more.â
Just then, Momma runs back across the stage and stops right in front of me. âYouâll be at dinner tomorrow night, right?â
Daddy ambles up behind her and gently drags her away again, hollering hellos and waving across the