hurt.â
âWe donât know that, Laura,â Mr Mumble-Mumble says. âWe donât know, for example, whether any coercion was involved.â
âBut itâs all stupid,â I say. âAnd Iâm not even sure anything happened at all.â
âIâm afraid,â Mr Mumble-Mumble says, âyouâre going to have to leave us to decide that.â
âBut I donât know anything about it. I didnât have anything to do with it.â I hear the whine in my voice and despise myself for wanting to crawl out of things like this. And I think of how alone Toni is.
âI know you didnât have anything to do with it,â he says. âOr I believe you didnât. But you do know a great deal.â
âNot a great deal.â And I feel much calmer saying this because Iâm speaking directly to him now and not just to a table with three heads.
âPerhaps,â he says. âBut still a lot more than any of us, donât you think?â
And what I do start to think is that heâs not so bad, after all, and heâs trying to do the right thing and be fair to everyone, and actually heâs got very kind blue-grey eyes in a smiley face, and might even have been handsome once. Itâs funny how that can happen, how you can turn someone from a faceless bureaucrat which everyone on the radioâs always saying public servants are, into real people just by looking at them in a different way. And it can be something quite small, like a calm voice when everyone else is squawking and tense, that does it.
âI suppose so,â I say. And then I see his name on a box file on the desk near his elbow, and itâs Murchison , and not even Mr , but Greg â Greg Murchison and not Mr Mumble-Mumble at all.
âI suppose so, Mr Murchison,â I say again, because heâs the only one being friendly and I want him to like me and think Iâm mature and can remember peopleâs names even when theyâre introduced by someone as hopeless as Mr Jackson.
âWell, the point is, Laura,â he says, âwe now have to get to the bottom of this, for Mr Prescottâs sake, and for Toniâs.â
And I like him even more, then, for using Toniâs real name, instead of just going Miss Darling or Miss Vassilopoulos and police matter and alleged misconduct and all that jargon like Mr Jackson. But he frightens me a bit as well when he looks at me and says in a very quiet voice:
âAnd be sure about this, Laura. One way or the other, we will get at the truth.â
And I wonder how he can be so sure about that. Even Iâm not sure, and I was the one who was there after all.
3
The first shock of the trip comes even before we leave the school yard. It happens so quickly I almost miss it, and a moment later â when everythingâs normal again â I begin to wonder whether it happened at all. But I know it did, and it changes everything that happens later on.
Three buses have been organized for the trip, three huge Greyhound coaches with deep recliner seats â so deep that some of the tiny Year 7 girls already look lost in them â plus toilets and air-conditioning and overhead monitors for films. âBetter than home,â Toni says.
âYes,â I say, âbut what if we get Forrest Gump or Little House on the Prairie all the way there and back?â
âGod yes,â she says. âWho did you get on your bus?â
âMiss Temple. And Mr Jasmyne.â
âSucks you.â
âI donât mind them,â I tell her. âYouâre with Dreamboat, I suppose?â
âYe-es,â she says, and rolls her eyes and drapes herself over the back of one of the seats to stop from swooning in the aisle. Dreamboat lover / Wont you be mi-ineâ¦' she sings. The children in the seats around her look on bug-eyed, then start to clap along with her. They love Toni.
âWho else?â I