creates a certain space between us; his small legs in their Wranglers seem far, far away. And even in bed he always leaves his socks on because his feet were ruined standing in the swamp in Cambodia; other Marines had cush duty, he says, but he was in the swamp, always in the swamp, in fact he was a sharpshooter,
in fact
he can say with almost complete certainty that it was his bullet that killed Baby Doc Duvalierâs right-hand man. The few times heâs taken them off, Iâve forgotten to look. And though he chain-smokes Dorals, he is odorless. His dick is small and in the morning when heâs gone nothingâs sore and nothing smells. Lying down he is a big man who yells, who
growls
in bed, but he leaves before it gets light and nothing is left behind, as though all the hair, the sweat, all the
man
of him has gone into his music-playing, soaked up by the Round Barâs fat old cypress walls.
âI want â¦â I sometimes say to him in bed, but I donât know how to finish the sentence. He thinks Iâm talking about being unemployed and starts taking dollars out of his wallet for me. I lie there full of desperate, dead-end feelings, a big useless naked girl, an idiot savant. âMy dear,â he says, looking me up and down, âbeing with you is like Saturday night at the movies for a guy like me.â I want something impossible. I want to dance with him to the music he plays. I want to look over his shoulder, feel him solid in my arms, his baby-smelling beard against my throat, but see him set up in the corner at the same moment singing
Love is like a dying ember, only memories remain; through the ages Iâll remember
⦠I want to go to Nashville.
A tall man who looks like Jesus or Willie Nelson makes his way over to me, extends his long arm. âSorry, sir, she cainât dance,â Ron says. âSheâs waiting on her boyfriend over there.â
âFair enough,â the Jesus man says. âYouâre pretty,â he says to me. Then he goes over to the tiny, salt-sprinkled dance floor and hops up and down there beside the jukeboxâs pink light, keeping his back straight and kicking and stomping his feet, four fat women dancing around him, all of them doing the same steps and keeping perfect time, all of them smiling. âI fell for you like a child,â the singer sings. âI fell into a burning ring of fire.â Watching him, I know what I must do; for once I am spared the shame of decision-making. I dig through my purse for my keys, already picturing which panties to pack, which earrings and shoes, already hearing myself on the phone to my father, asking to borrow just a couple hundred, telling him,
Yes, I have several different projects lined up, various possibilities right now, yes, many paths are still open to me
.
⢠⢠â¢
In the deep end of the Nashville Sheratonâs pool, a young girl will not stop watching me. She is the only child in the pool, and I stare back at her, wondering if I know her from somewhere. But no, I think, I donât know any children. Despite the drought, the poolâs water level is too high, and Iâm hanging on the side with the other adults, all of us sipping drinks from plastic cups and holding our heads at unnatural angles, trying to appear relaxed. The girl floats near me on her stomach on a neon-patterned raft, chewing the ends of her long brown hair and watching me, staring as though she wants to know something. âWhy are you looking at me?â she asks finally.
âIâm not,â I say. I stare at her body laid out flat in a maroon one-piece, the small but unequivocal curves of her long legs and short torso.
âWhereâs your husband?â she asks.
âDonât have one.â
âOh,â she says. She thinks. âI thought I saw this man looking at me before,â she says.
I swallow the last inch of my red wine, which is hot as coffee, and squint
Sherwood Smith, Dave Trowbridge