job.” And that was what his wife could not forgive him. She called it “swamping the business with poor relations”; but when you come down to it, how can one poor relation swamp anything? Knowing that Lina would invite his wife, and that Martha would not go in any circumstance, he had lied, telling his cousin that they were leaving the same evening. Instead, Martha and he had visited a fair and the splendid vineyards of a business friend. A week later at the station, when they had already settled down in their compartment, he had glimpsed Lina from the window. It was a wonder they had not run into her somewhere in town. Martha wanted to avoid her seeing them at all cost, and even though the idea of buying a nest of fruit for the trip appealed to him greatly he did not put his head out of the window, did not beckon with a soft “psst” the young vendor in the white jacket.
Comfortably dressed, in perfect health, a colored mist of vague pleasant thoughts in his head and a peppermint in his mouth, Dreyer sat with crossed arms, and the soft folds of the fabric in the crook of his arms matched the soft folds of his cheeks, and the outline of his clipped mustache, and the wrinkles fanning templeward from his eyes. With a peculiar blandly amused gleam in his eyes he gazed from under his brows at the green landscape gliding in the window, at Martha’s handsome profile rimmed with sunlight, and the cheap suitcase of the bespectacled young man who was reading a newspaper in the corner by the door. Idly he considered that passenger, palpating him from all sides. He noted the so-called “lizard” pattern of the young fellow’sgreen-and-garnet tie which obviously had cost ninety-five pfennigs, the stiff collar, and also the cuffs and front of his shirt—a shirt incidentally which only existed in an abstract form since all its visible parts, judging by a treacherous gloss, were pieces of starched armor of rather low quality but greatly esteemed by a frugal provincial who attaches them to an invisible undergarment made at home of unbleached cloth. As to the young man’s suit, it evoked a delicate melancholy in Dreyer as he reflected not for the first time on the pathetically short life of every new cut: that kind of three-button, narrow-lapelled blue jacket with a pin stripe had disappeared from most Berlin stores at least five years ago.
Two alarmed eyes were suddenly born in the lenses, and Dreyer turned away. Martha said:
“It is all so silly. I wish you had listened to me.”
Her husband sighed and said nothing. She wanted to go on—there were still lots of pithy rebukes she could make but she felt the young man was listening and, instead of words, leaned her elbow abruptly on the window side of the table leaf—pulling up the skin of her cheek with her knuckles. She sat that way until the flicker of woods in the window became irksome; she slowly straightened her ripe body, annoyed and bored, then leaned back and closed her eyes. The sun penetrated her eyelids with solid scarlet, across which luminous stripes moved in succession (the ghostly negative of the passing forest), and a replica of her husband’s cheerful face, as if slowly rotating toward her, got mixed up in this barred redness, and she opened her eyes with a start. Her husband, however, was sitting relatively far, reading a book bound in purple morocco. He was reading attentively and with pleasure. Nothing existed beyond the sunlit page. He turned the page, looked around, and the outside world avidly, like aplayful dog waiting for that moment, darted up to him with a bright bound. But pushing Tom away affectionately, Dreyer again immersed himself in his anthology of verse.
For Martha that frolicsome radiance was simply the stuffy air in a swaying railway car. It is supposed to be stuffy in a car: that is customary and therefore good. Life should proceed according to plan, straight and strict, without freakish twists and wiggles. An elegant book is all
Elizabeth Ashby, T. Sue VerSteeg