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likely land in which to invest his money. He was a very plausible and personable man, needless to say, and he was equipped with a number of impressive letters of introduction, all fakes, of course, like his handsomely engraved sheaf of cashier checks. As a guest of the Junction Hotel, which was also the King ranchhouse, he had ready access to Isaac Joshua, who was not unagreeable to selling some of his own land, providing the price was right.
    Ike had better things to do, by his own admission, than to drive prospective purchasers over his holdings. Nor was it necessary for him to do so, since his woman could do it just as well, and, like all women, never did nothin' much useful anyways that he could see. Neither could he see (he joked jovially) that he was doing anything chancy in having his wife traipse around all day with such a good-lookin' young feller, because anyone that wanted a half-nigger Creek was sure as hell welcome to her! Still, as a gesture to the proprieties, his son Critchfield could accompany them, the son being good for little else (that he could see) except to be planted in the barn as a pissing-post.
    Critch found the daily excursions happy ones. His mother always packed generous lunches – food that was far tastier than any she ever prepared at the hotel. She was also almost consistently good-humored, rarely giving way to the sudden flashes of temper which sent her blinding-quick hands out to slap and pinch and shake him. True, she was always sorry after these tantrums, as quick with pampering as she was with punishment. But while he forgave he could not completely forget, nor relax completely while she was within striking distance. He had never been able to, that is, until the advent of Ray Chance.
    Critch was to marvel in later years that such a thorough-going scoundrel as Ray found it so easy to bring out all that was good and generous in people. But under analysis the trait seemed to be largely a matter of ignoring the grossest faults while praising the smallest virtues. Of turning negatives into affirmatives. Under Ray's magic, the ugliest dross became pure gold.
    Ray never criticized his sniffling, but praised the manly manner in which he blew his nose. _(Almost had me blowing the damned thing off, Critch remembered wryly.)_ Ray never remarked on his clumsiness, a tendency to trip over his own feet, but praised the fortitude which kept him tearless and unwhimpering. Ray had no jeers nor sneers for his thumb sucking, his nervousness-inspired nail-biting. Merely remarking that it would be a shame to do anything which might mar the finest-looking hands he'd ever seen on a boy.
    To demonstrate the strength and grace and other virtues which Ray and no other had ever observed in him, Critch took long runs across the prairie when they stopped during the noon hour. Leaping creeks and puddles. Jumping high in the Johnson grass and weeds tirelessly until he was only a speck in the distance. Winded, he came back much more slowly than he had gone, but that was all right, too. For Ray found much to admire in the way he conserved his strength when wisdom so dictated. Ray had many compliments for his ability to creep through the grass unseen (like a skilful hunter), then suddenly to spring up as if out of nowhere.
    He was a lot better at creeping and sneaking than even Ray realized, several times approaching them so closely without their being aware of him that he saw things unintended for his eyes, and he knew he had better creep right back the way he had come from. But being a child and curious, his retreats were unhurried to say the least.
    Ray and his mother were the first human beings he had seen at sexual intercourse. But he had witnessed it many times among the so-called lower animals, and none of life's innocent myths or intimate mysteries had survived the onslaught of Elizabethan nouns and verbs, which comprised much of Old Ike's vocabulary. So Critch well knew what he was seeing, even though the