Kate Wilhelm in Orbit - Volume Two
them.
    Donna was next to Marty, and on the other side of her was Leland Moore. He was tall and intense, probably the most honest one there, tortured by the futility of what he was doing, but also by the memory of a fatherless childhood in a leaky fifteen-foot trailer that his mother kept filled with other people’s ironing. He wanted land, a farm or a ranch, with hills on it, and water. Slowly, month by month, he came nearer that goal, and he wouldn’t leave, but he would suffer. Sitting by him was Mary, who worried about her husband too much. Who couldn’t understand poverty as a spur because she never had experienced it, and thought only black people and poor Southern dirt farmers ever did. Beatrice wasn’t there.
    “I can’t stay,” Eliot said. “Sorry. Too much booze too early tonight, and the champagne didn’t help. See you tomorrow.”
    To sit across from Donna all night, to watch her peer at her cards, and watch those pale fat fingers fumble… He waved to them and shook his head at their entreaties to stay at least for a while.
    “Will you show me the offices tomorrow, Eliot?” Her voice was like the rest of her, just wrong, too high-pitched, little-girl cute, with the suggestion of a lisp.
    He shrugged. “Sure. Eleven?”
    He walked up the beach. The tide was coming in fast now, the breakers were white-frosted and insistent. In the woods behind the dunes night life stirred, an owl beat the wind steadily, a deer snorted, the grasses rustled, reviving the legend of the Spaniards who walked by night, bemoaning the abandonment of the fort they had started and left. The air was pungent with the sea smells, and the life and death smells of the miniature jungle. He walked mechanically. Whatever thoughts he had were dreamlike in that he forgot them as quickly as they formed, so that by the time he turned at the end of the island and retraced his steps along the beach, it was as if he had spent the last hour or more sleepwalking. He stopped at the pier and then walked out on it to the end where he was captain of a pirate ship braving the uncharted seas in search of unknown lands to conquer. It was flat and stupid and he let it go.
    The pier was solid, a thousand feet out into the ocean; it seemed to move with the motion of the sea and the constant pressure of the wind. Eliot leaned against the end post where a brown pelican roosted every day to watch the sea and the land, alert for subversives, immorality, unseemly behavior, including littering of the beach…
    Lee Moore’s house had a light; the others were all dark. Eliot wondered if they were still playing poker, if Donna Bensinger had won all their money, if Lee and Ed were singing dirty sea chanteys yet. He flicked his cigarette out into the water. Thirty, he thought, thirty. Forty thousand dollars in the bank, more every day, and no one to tell me to do this or that, to come in or stay out. Freedom and money. The dream of a sixteen-year-old washing dishes after school in a crummy diner. Buy a boat and go around the world after this is over. Or start traveling on tramps and never stop. Or—get a little place somewhere and let the money draw interest, live on the dividends forever. Or… He heard voices. Two pale figures running along the sand toward the waves. The tide had turned again. The urgency was gone. Proof, he thought, right here before our eyes day in and day out. Never changing, eternal cycles; he didn’t know if he meant the tide or the couple. He looked at the nude figures. It had to be Donna, pale hair, white body. The man could have been any of them, too far up the beach to see him clearly. They ran into the surf and she shrieked, but softly, not for the world to hear. The man caught up with her and they fell together into the shallow water.
    Eliot watched the laughing figures, rolling, grappling, and he felt only disgust for the girl, and the man, whoever he happened to be. Too quick. Everything about her was too quick. He started to move

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