Journey Through the Impossible Read Free Page B

scheme is truly diabolical. He administers an
elixir that emancipates the youth from subjection to physical laws that
hamper ordinary human beings, but his real object is to get rid of his
rival by killing him or rendering him incurably mad. In vain does the
organist Volsius try to snatch George from this sinister influence. He
tries music, he tries argument, but he might as well have left both
untried. George persists, and then, with a noble spirit of self-sacrifice,
he assures the disconsolate maiden that he, too, will share the perils
of her lover's peregrinations.
    Volsius will protect Hatteras, he swears, in spite of himself, and
this he does in a series of avatars wherein he appears as Professor
Lidenbrock (Act I), Captain Nemo (Act II), Michel Ardan, and a citizen of the Planet Altor (Act III).
    The struggle between the doctor and the musician is intended to
illustrate the conflict between good and evil. But Eva is not altogether
satisfied; she fears entrusting Hatteras to Volsius alone, and so she,
too, with her a friend of the family, one Tartelet, the dancing master,
takes a dose of the magic mixture, and in the twinkling of an eye Dr.
Ox, Hatteras, Volsius, Eva, and the dancing master are transported to
the foot of Mount Vesuvius, and there begins the first ballet.
    The tourists, whose party is reinforced by a traveler from Denmark, whom they meet at Naples, Monsieur Valdemar by name, begin
their excursions by a visit to the "entrails of the earth" in search of the
"central fire." Three "entrails" are visited in this journey, of which a
fissure in the volcano is the starting point. The first entrail is a rocky
cavern, while the second appears to be made of granite. The third is
represented by a most fantastic subterranean vegetation, with the atmosphere rendered peculiarly luminous, resulting from an underground rivulet of extraordinary light and color. These regions are
inhabited by the Troglodytes, a degenerate class of beings, ugly, but
picturesque, with long hair, mud-tinted faces, and silver hands.

    Next step: The harbor of Goa, with Indian pavilions, and in the
background the city and the sea. Here, Monsieur Valdemar, the funny
man, does a monologue expressive of his satisfaction with the "diamond picked up 5,000 feet below the surface of the earth." Then the
Nautilus, a cigar-shaped craft, steams in: the travelers go on board,
and in the eleventh setting are seen seated around the hospitable table
of Captain Nemo-the third incarnation of Volsius. The Nautilus
plunges, and her passengers walk out of their cabins into the magic
city of the Atlantides. The citizens of this realm are rising up in a revolution, and they want a king. Having chosen one of their own, they
are about to crown him when the prophetess of Atlantis plots with Dr.
Ox and Hatteras to make a coup d'etat, which results in the selection
of George and his immediate coronation, all serving as a pretext for
more dancing, more marble staircases, porphyry columns, minarets,
and stage props in general.
    For the next part of the journey, the Gun Club, offers nothing
specially interesting or original. The members amuse themselves by
shooting pistols while the big gun is being made ready. A servant
enters, and the Columbiad is prepared. "Gentlemen," he announces,
"will the intending travelers kindly take seats in the shell!" With the
exception of Dr. Ox, the party gets into the projectile and, the scene
changing, the huge mortar. Just as the match is being applied, Monsieur Volsius rushes on the stage and insists on an excursion ticket,
which is kindly granted by the Gun Club's committee. He gets in at
the vent: an explosion is heard, and again the scene shifts to the
planet Altor. The vehicle has reached its destination in safety; and
the occupants are met by Maitre Volsius as an Altorian in a long
robe, to whom Valdemar and Tartelet make a political speech in
explanation of the advantages and