its front leg; the black hoof curving around her fingers like soft tar.
Her father was talking upstairs, practicing his sermon, trying to convert the medicine cabinet. It wasn't eight yet, but he'd been up for hours and she'd heard his footfalls creeping around the kitchen as he had his long meditative breakfast of black coffee and buttered toast. Sometimes he'd sneak cigarettes and play his jazz records, the volume just barely audible.
Last night's red wine pickled her mouth and she felt fragile. Her breasts were sore and there was that mysterious feeling in her lower stomach. But the blood and the horrible cramps were still a week away. Sometimes they got so bad she felt like she was fighting an invisible adversary, one that punched her in the stomach and then reached up into her gut.
It was Sunday morning. The air told her, as did the light. Every object looked hollow and inconsequential. Today the material world was little comfort and she felt anxiety rise in her chest until she had to muffle a cough. She couldn't decipher his words, but she listened to his voice rise and fall theatrically, tried to judge if he had butterflies in his stomach. “It never gets any easier,” he'd say to her if she caught him coming out of the bathroom, the blood drained from his face, nervousness widening his pupils.
She listened to him walk down the carpeted hallway, back into the kitchen, where he paused to put on his long black coat, pick up his Oxford English Bible with the sermon pressed inside, and leave the house through the kitchen door. He started the car, but it wasn't until Ginger heard him back up and accelerate down the road that she threw off the sleeping bag, pulled up her jeans, and climbed the dark stairwell into the light of the house.
His breakfast dishes sat in the sink and she washed them, gazing out the window through the gray woods to the cars, blurs of metallic color rushed by on the highway. She got a cup of burnt coffee and sat in the family room, used the remote to turn on the TV. There was a fat little man with a lacquered hairpiece saying Be healed on one station and the technicolor Bible story of the ten commandments on another. She looked at the religious paintings behind her. One showed a dank and rotting woods but as you followed the trunks up,the sick leaves turned to Easter lilies and the light was pale and blue at the top. The other was of a little ark, floating on a dark and dangerous river. On a marble shelf below was the soapstone bust of an African woman a missionary had given to her mother.
She rose in a languid way, like a person morally oppressed by heat, and staggered down the hall to her father's room, layover his unmade bed, then opened his closet. Most of his clothes were black, short- and long-sleeved minister shirts and plain black pants. In the drawers were T-shirts, some with worn logos from former church softball teams, his white underwear, and endless pairs of mismatched black socks. In the top drawer was a leather box, and she took it to the bed and opened it. Inside were horsehide cufflinks from when he was a boy and the Celtic cross her mother gave him for a wedding present, a tiny cross lapel pin he wore in the hospital, and a yellowed newspaper clipping from his ordination, pennies, paper clips, and one German coin.
She closed the box, careful to return everything to its original place, then walked across the hall to her old room and flung herself onto the bed. The room was painted pale peach and there was a pressed-wood chest and desk, both painted white, and a pink rug in a hue her mother called salmon. While she was sick her mother slept here and the smell of ammonia clung to the curtains. At the very end her mother became sweet like a baby, blank-eyed, talking gibberish. After morphine, her lids drooped and she'd sleep. But an hour later she'd arch her back and scream until the nurse had to strap her in a white muslin jacket with metal hooks that held her to the bed