to sleep last night,â she says. âI think it was because my bed is so close to the window. Would you mind if we moved our beds around? Be honest. Itâll be okay if you donât want to change. I can get used to it.â
I laugh. âI was just trying to be nice letting you have the place where you can look out at the universe. Thatâs where I really wanted to be.â
She smiles. âAnd I was trying to be nice and let you have the snugly closed-in part of the room.â
We talk about trading beds, try each otherâs out, and decide to keep our own.
As we move our beds around, Phoebe says, âWhat if neither of us had said anything and then in fifty years we finally discussed it and found out that weâd always hated where our beds are? Iâm glad I mentioned it.â
We change our posters around.
Then Phoebe flops back into bed.
I begin to unpack my boxes. Out of them come some clothes, my old sticker collection, and treasures found at flea markets: two beaded bags, a stained-glass jewelry box, an old copy of
Bound for Glory
, by Woody Guthrieâa real early folk singer whose music I love. I also unpack the books that my grandmother on my fatherâs side gave me.
Roots
. Books by Toni Morrison, Alice Walker, James Baldwin, Sharon Bell Mathis, Rosa Guy, and John Steptoe. Poetry by Countee Cullen and Langston Hughes. Lots of other novels. My grandmother told me never to lose track of the black part of my heritage, not that I ever would.
Phoebe says, âIâm going to call Dave now.â
The phone rings like magic, as if Dave knew to call.
Phoebe picks up the phone, listens for a minute,and then crosses her eyes and puts a finger to her head as if it were a gun.
Itâs obviously not magic, at least not the kind that Phoebe wanted.
Itâs got to be her mother from that reaction. Thatâs sort of like going to pull a rabbit out of a hat and coming up with slug slime.
All the kids we hang around with call things we donât like slug slime. Thatâs because there was an invasion of them this summerâthese disgusting, fat, snotlike creatures, oozing their way through gardens.
Anyway, itâs Slug Slime City for Phoebe when she has to deal with her mother.
I try not to listen, but itâs hard not to.
Phoebeâs pretending to pull a knife out of her heart.
Itâs a good thing the phone doesnât have a TV screen attached.
Phoebeâs shaking her head. âAw, Mom. Do I really have to go to Canada with you and Duane? Canât I stay in Woodstock? . . . Itâll be the last week before school starts . . . . I know I promised, but itâs going to be so BORing there, not knowing anyone.â
Phoebe pretends to hang herself with the telephonecord. âI know they have kids, but what if I donât like them? . . . What if they donât like me?â
She sighs. âI knowâI didnât have to ride the Divorce Express every weekend because I promised to spend this time with you to make up for it. But weâre just getting settled here and I want to stay.â
Phoebe looks at me, crosses her eyes again, and acts as if sheâs gagging herself.
I pretend to hold up a barf bag.
Finally Phoebe sighs and says, âOkay, Mom. I know Iâm whining. I give in. Iâll go. What kind of clothes should I bring . . . or should we just plan to shop there?â
Sometimes I think that Phoebe is in training for the Olympics marathon in shopping . . . and that her mother is her coach. Itâs lucky her mother and stepfather have so much money. I once gave her a button that says âBorn to Shop.â
Phoebe hangs up the phone. âFive days with my mother and Duane the Drip, Plastic Pop, the Slug Slime Stepfather.â
I say, âLook at the bright side. Canada should be a great experience. Iâd love to go someplace new.â
Phoebe shrugs.
The
Wilson Raj Perumal, Alessandro Righi, Emanuele Piano
Jack Ketchum, Tim Waggoner, Harlan Ellison, Jeyn Roberts, Post Mortem Press, Gary Braunbeck, Michael Arnzen, Lawrence Connolly