moving.â
âAnd doesnât it fit?â
âOh, it fits all right, but it pins Garyâs arms to his sides. He feels like an Egyptian mummy in there and itâs not safe for him to walk, let alone run. If he tripped, heâd fall flat on his face.â
âHmmm.â Fliss looked at the head. âIs the papier-mâché completely dry now?â
âThe thickest parts are still a bit soggy, but itâs OK. Why?â
âWell, if the neckâs dry we could take a saw and cut two slots in it, one either side. Itâd still reach his waist back and front, and his arms would be free.â
âFliss Morgan, youâre a genius,â cried Trot. âAn infant prodigy. Why didnât we think of that?â
The slots were quickly cut, and Gary tried on the head. He couldnât see yet because they hadnât made the eye-holes, but they led him on a circuit of the garage and he did some roaring and said he felt much better. Now that the papier-mâché had dried out, the whole thing was surprisingly light. They spent the afternoon painting it, and by half-past four the last scrap of newsprint was covered and the head was a glossy green, except for the inside of the mouth which theyâd done with some obscenely pink stuff Ellie-Mayhad got from somewhere. They propped it in a corner and stood in a half-circle, looking at it.
âIt looks like a pensioner yawning,â said Lisa. âItâs got no teeth.â
âDonât worry,â said Ellie-May. âMy granâs got some things we can use for teeth.â
âWhat sort of things?â
âOh â theyâre cone-shaped plastic things from where she used to work. Bobbins of some sort, I think. Theyâre all colours, but we can soon paint âem white.â
Trot looked at her. âCan you bring them tomorrow?â
âNo problem.â
âRight.â He turned to the others. âHalf-past ten then, here?â
This time, Lisa left with Fliss. Fliss grinned. âTrot found somebody else, has he?â
Lisa shook her head. âI told you â I donât care about Trot. I care about the play, thatâs all. I get a funny feeling every time I think about it.â
âWhat sort of feeling? Are you nervous?â
Lisa shook her head. âNot nervous exactly. Sort of shivery. Itâs ever since we started the head.â
Fliss laughed. âYou scared of it?â
âMe? No. I donât need to be, Fliss. Itâs you. Youâre Ceridwen.â
Fliss pulled a face. âI know. I had a nightmare. Butitâs only a story, so there canât really be anything to be afraid of, can there?â
Her friend shrugged. âI dunno. Maybe not. Anyway, can we talk about something else now, Fliss?â
CHAPTER SEVEN
SUNDAY MORNING WAS dull and drizzly, but Ellie-May had brought the teeth. Each tooth was twenty centimetres long and came to a good sharp point at one end. Everybody had come in old clothes and they spent a happy hour with the white paint, slapping it on the cones and standing them in a row on Trotâs dadâs workbench. When the last tooth was done, Trot counted them. âTwenty-eight,â he said. âJust right. Seven each side, top and bottom.â
âHow do we fix âem in?â asked Gary.
âSuperglue,â Trot told him. âWe gouge out sockets in the papier-mâché, smear âem with superglue and stick the teeth in. Nothingâll shift âem once that glue sets. Nothing. But the paintâs got to dry first.â
They made the sockets while they were waiting. It wasnât easy. The painted papier-mâché was remarkably tough. By the time theyâd finished it was nearly lunchtime and the teeth were almost dry. âNear enough, anyway,â said Trot, testing one with his finger. âWe can always touch âem up after if they get fingerprints on âem.â
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