know. Possibly something that has already been described in a story of today, but now considered impossible.
Something as simple as television ...
—Robert Hoskins
Robert Silverberg is a man of many talents: biographer, anthologist, novelist, popularizer of science ... and author of some of the most compelling and disturbing science fiction being written today. Happily for we as readers, he is a man yet young enough that we can look forward to many years of producing stories such as . ..
THE PLEASURE OF OUR COMPANY
Robert Silverberg
He was the only man aboard the ship, one man inside a sleek shining cylinder heading away from Bradley’s World at ten thousand miles a second, and yet he was far from alone. He had wife, father, daughter, son for company, and plenty of others: Ovid and Hemingway and Plato, Shakespeare and Goethe, Attila the Hun and Alexander the Great; a stack of fancy cubes to go with the family ones. And his old friend Juan was along, too, the man who had shared his dream, his utopian fantasy, Juan who had been with him at the beginning and almost until the end. He had a dozen fellow voyagers in all. He wouldn’t be lonely, though he had three years of solitary travel ahead of him before he reached his landfall, his place of exile.
It was the third hour of his voyage. He was growing calm, now, after the frenzy of his escape. Aboard ship he had showered, changed, rested. The sweat and grime of that wild dash through the safety tunnel were gone now, though he wouldn’t quickly shake from his mind the smell of that passageway, like rotting teeth, nor the memory of his terrifying fumbling with the security gate’s copper arms as the junta’s storm-troopers trotted toward him. But the gate had opened, and the ship had been there: he had escaped, and he was safe. He was safe.
I’ll try some cubes, he thought.
The receptor slots in the control room held six cubes at once. He picked six at random, slipped them into place, actuated the evoker. Then he went into the ship’s garden. There were screens and speakers all over the ship.
The air was moist and sweet in the garden. A plump, toga-clad man, clean-shaven, big-nosed, blossomed on one screen and said, “What a lovely garden! How I adore plants! You must have a gift for making things grow.” “Everything grows by itself. You’re—”
“Publius Ovidius Naso.”
“Thomas Voigtland. Former President of the Citizens’ Council on Bradley’s World. Now President-in-exile, I guess. A coup d’etat by the military.”
“My sympathies. Tragic, tragic!”
“I was lucky to escape alive. I may never be able to return. They’ve probably got a price on my head.”
“I know how terrible it is to be sundered from your homeland. Were you able to bring your wife?”
“I’m over here,” Lydia said. “Tom? Tom, introduce me to Mr. Naso.”
“I didn’t have time to bring her,” Voigtland said. “But at least I took a cube of her with me.”
Lydia was three screens down from Ovid, just above a dumb of glistening ferns. She looked glorious, her auburn hair a little too deep in tone but otherwise quite a convincing replica. He had cubed her two years before; her face showed none of the lines that the recent troubles had engraved on it. Voigland said to her, “Not Mr. Naso, dear. Ovid. The poet Ovid.”
“Of course. I’m sorry. How did you happen to choose him?”
“Because he’s charming and civilized. And he understands what exile is like,”
Ovid said softly, “Ten years by the Black Sea. Smelly barbarians my only companions. Yet one learns to adapt. My wife remained in Rome to manage my property and to intercede for me—”
“And mine remains on Bradley’s World,” said Voigtland. “Along with ... along with—”
Lydia said, “What’s this about exile, Tom? What happened?”
He began to explain about McAllister and the junta. He hadn’t told her, back when he was having her cubed, why he wanted a cube of her. He had seen
Charles Bukowski and Sheri Martinelli