teens to mid-sixties. At every stage he was portrayed with different hairstyles, with and without beard or moustache. They reminded Roy Grace of police Identi-Kit drawings.
âBloody hell,â Rebus muttered, stepping farther into the room. âItâs James King.â He turned to Ollie Starr. âWhere did theseâ?â
âMy memory,â Starr said, flatly.
âYouâve not seen him?â
âNot since the day he stuck a knife in me.â
âThe likeness is amazing.â
âMeaning youâve got the bastard.â The muscles in Starrâs face seemed to relax a fraction. âNever forgot his face,â he continued. âAnd I was a student at Hornsey School of Art. Promising future, they said, maybe doing adverts and stuff. Instead of which, Iâve just been drawing him, year after year, hoping one day Iâd see him.â
Siobhan Clarke cleared her throat. âWe think the man who attacked you is critically ill in hospital.â
âGood.â
âThat answers my first question.â
Starrâs eyes narrowed. âWhatâs that, then?â
âWhether youâd want to go ahead with a prosecution after all this time.â She paused. âAgainst a man with not long to live.â
âI want to see him,â Starr growled. âI need to see him, face-to-face, the closer the better. He has to be shown what he did. Ruined my life, and the only thing that kept me going was the dream.â
âWhat dream?â Grace asked.
âThe dream of you lot coming here, delivering the news.â Starr blinked back a tear. We all have our dreams, eh?â His voice cracked a little. âBut a manâs reach should exceed his grasp / Or whatâs a heaven for?â
Grace was moved that the man had read Browning. He lived in a tip, yet clutched at beauty. How different might his life have been if . . . ?
If.
He caught John Rebusâs eye, and then Siobhan Clarkeâs, and knew they were thinking the same thingâwhile Potting tried to examine Clarkeâs legs without her noticing.
âWeâd need to bring you to Edinburgh quickly,â Rebus was saying. âCould you fly up Monday?â
âTrain might be less hassle,â Starr said. âGive me time to decide whether to spit in his face first or go straight for a punch.â
·  ·  ·
Hospitals always made Roy Grace feel uncomfortable. Too many memories of visiting his dying father and, later, his dying mother. Late on Monday afternoon he followed Rebus and Clarke along the corridor of the Royal Infirmary. It looked new, no smells of boiled cabbage or disinfectant. Transport had been awaiting the group at Waverley Station, Clarke making sure the visitors glimpsed the famous castle before they headed to the outskirts of the city. As Rebus pushed open the doors to the ward, Grace glanced back in the direction of Potting and Starr. Neither man showed any emotion.
âOkay?â Grace checked, receiving two separate nods in reply.
Rebus, however, had come to a sudden stop, Grace almost colliding with him. The bed in the corner was empty, the table next to it bare.
âShit,â Rebus muttered, eyes scanning the room. Plenty of patients, but no sign of the only one that mattered.
âCan I help?â a nurse asked, her face arranged into a professional smile.
âJames King,â Rebus informed her. âLooks like weâre too late.â
âOh dear, yes.â
âHow long ago did he die?â
The smile was replaced with something more quizzical. âHeâs not dead,â she explained. âHe went into remission. It happens sometimes, and if I were the religious sort . . .â She shrugged. âSpontaneous and inexplicable, but there you are. Mr. Kingâs back home in the bosom of his family, happy as the proverbial Larry!â
TWENTY MINUTES LATER, REBUS KNOCKED on