people.
Although black is still my favorite color you wouldnât know it from my luck except in short quantities even though I do all right in the liquor store business in Harlem, on Eighth Avenue between 110th and 111th. I speak with respect. A large part of my life Iâve had dealings with Negro people, most on a business basis but sometimes for friendly reasons with genuine feeling on both sides. Iâm drawn to them. At this time of my life I should have one or two good colored friends but the fault isnât necessarily mine. If they knew what was in my heart towards them, but how can you tell that to anybody nowadays? Iâve tried more than once but the language of the heart either is a dead language or else nobody understands it the way you speak it. Very few. What Iâm saying is, personally for me thereâs only one human color and thatâs the color of blood. I like a black person if not because heâs black, then because Iâm white. It comes to the same thing. If I wasnât
white my first choice would be black. Iâm satisfied to be white because I have no other choice. Anyway, I got an eye for color. I appreciate. Who wants everybody to be the same? Maybe itâs like some kind of a talent. Nat Lime might be a liquor dealer in Harlem, but once in the jungle in New Guinea in the Second War, I got the idea when I shot at a running Jap and missed him, that I had some kind of a talent, though maybe itâs the kind where you have a marvelous idea now and then but in the end what do they come to? After all, itâs a strange world.
Where Charity Sweetness eats her eggs makes me think about Buster Wilson when we were both boys in the Williamsburg section of Brooklyn. There was this long block of run-down dirty frame houses in the middle of a not-so-hot white neighborhood full of pushcarts. The Negro houses looked to me like they had been born and died there, dead not long after the beginning of the world. I lived on the next street. My father was a cutter with arthritis in both hands, big red knuckles and swollen fingers so he didnât cut, and my mother was the one who went to work. She sold paper bags from a second-hand pushcart in Ellery Street. We didnât starve but nobody ate chicken unless we were sick or the chicken was. This was my first acquaintance with a lot of black people and I used to poke around on their poor block. I think I thought, brother, if there can be like this, what canât there be? I mean I caught an early idea what life was about. Anyway I met Buster Wilson there. He used to play marbles by himself. I sat on the curb across the street, watching him shoot one marble lefty and the other one righty. The hand that won picked up the marbles. It wasnât so much of a
game but he didnât ask me to come over. My idea was to be friendly, only he never encouraged, he discouraged. Why did I pick him out for a friend? Maybe because I had no others then, we were new in the neighborhood, from Manhattan. Also I liked his type. Buster did everything alone. He was a skinny kid and his brothersâ clothes hung on him like worn-out potato sacks. He was a beanpole boy, about twelve, and I was then ten. His arms and legs were burnt out matchsticks. He always wore a brown wool sweater, one arm half unraveled, the other went down to the wrist. His long and narrow head had a white part cut straight in the short woolly hair, maybe with a ruler there, by his father, a barber but too drunk to stay a barber. In those days though I had little myself I was old enough to know who was better off, and the whole block of colored houses made me feel bad in the daylight. But I went there as much as I could because the street was full of life. In the night it looked different, itâs hard to tell a cripple in the dark. Sometimes I was afraid to walk by the houses when they were dark and quiet. I was afraid there were people looking at me that I couldnât see. I
F. Paul Wilson, Tracy L. Carbone