after them. Pity, flattery, charm, whatever it takes. She can fake it when she needs to.â
âWell good luck to you.â Amalie raised her glass. âIâll keep my eye out here for anything that might help you.â
âYouâre helping now. Youâre helping by trusting me.â
âDonât forget to have them send the books around. The ones you wrote. Iâll tell you what I think of them when I get through.â
âOh, donât do that,â I answered. Then I laughed out loud. âOh, please donât do that to me.â The sun was moving down the sky behind a bank of scattered clouds. The redbird deserted his post for a tree. Amalie and I carried the glasses inside and closed up the flat and walked out onto the street. I was slightly drunk and reasonably amazed to have had such a good time. Good old universe. I squeezed Amalieâs hand and walked off down the street in the direction of Queenâs Square, where I hoped to find a taxi. I knew she was watching me and I sauntered as lightly as possible, wanting to give her every last bit of whatever it was she had found in me to like.
I flew to Stockholm the next day to see my Swedish publisher. When I returned to London I went back to Sheilaâs flat and found it vacated. âShe came three days ago, with a man from Germany Iâve seen before,â Amalie informed me. âShe got it out of me youâd been here and she said she was going to the States. She said to tell you hello.â
âWas she angry with you for letting me in?â
âNo. I think not. She was showing off for the man, if you want my opinion. Being very cordial to me, she was. I helped her pack up her things and she paid me very well. Also, she left the rent for the rest of the month. You arenât looking for a place, are you?â
I considered it. âIs the phone still connected, in her name?â
âNo, they came and took that out the day she left.â
âI have a place, thank you. Letâs have tea,â I added. âSometime soon. It was nice talking with you last week. A good memory.â
âWeâll do that then.â She smiled and I saw the girl she must have been, in a war with Germany, with hair that wasnât gray and those eyes.
âDid you wear a cap?â I asked. âA hat. With your uniform in the war?â
âOh, did I ever,â she laughed. She squeezed my hand. âDid I ever wear my brave chapeau.â
So I had found Sheilaâs lair but no Sheila. Sheila had flown the coop, gone home to start her court proceedings. Still, I had that afternoon in a walled garden with a British heroine and I remembered it. Every time I have seen a bird sitting on a post I have thought of Amalie, her brave life and her eye on the redbird in the garden. Maybe thatâs why Daniel fell in love with Sheila, to watch her. Because she seemed a different species. A beplumed helpless starving little bird. Skinny little bones and thin white skin covered with dimity and lace and figured silk, rings on her fingers, Capezio sandals on her toes, sashes and Peter Pan collars and cashmere and tweed and in the summer off-the-shoulder blouses and that red-and-yellow sundress with the tie on one shoulder and the other shoulder bare. Perhaps it was the plumage that fascinated him. That a human being was willing to devote her entire life to getting dressed. Perhaps that was her fascination. Or perhaps it was the face that stared out from underneath the hairdos and rose on its neck above the finery. That face in the middle of that perfection. That unsmiling unhappy pleasureless little perfection of a face. (Which later became beautiful in Jessie.)
Maybe Sheila was the last victim of the Victorians. Their very last devotee and victim.
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Anyway, my brother Daniel loved her. âSheâs got him,â I told Phelan, one summer when he was visiting. âSheâs got him just where she